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Updated: May 19, 2025
Francis, and bearing in his hand a cross of reeds tied with a green band. The prince stated that he first took the apparition to be that of the blessed St. Francis; but not seeing the stigmata, he exclaimed, "How? Dost thou not bear the marks of the wounds?" What he replied Don Carlos did not recollect; save that he consoled him, and told him that he should not die of that malady.
Feeling itself different, it has consciously made itself as different as possible; intellectual extravagances indulged in from mere bravado, these and similar stigmata of balance lost and sanity impaired have made their appearance in varying degrees at one time or another.
In older children, a gummatous synovitis is met with of which the most striking features are: its insidious development, its chronic course, symmetrical distribution, freedom from pain, the free mobility of the joint, its tendency to relapse, and its association with other syphilitic stigmata, especially in the eyes.
For the rest, let us not forget that this large painting was made for some altar; and that many a weeping penitent, many a devout heart, has been pierced with its message. On the edge of the stone coffin, which is tinted a warm green within, and lit by some opening at the foot, is the inscription in gold letters: "JESUS NAZARENUS REX JUDÆORUM." The stigmata are painted with unsparing truth.
Imbert-Gourbeyre, but one Jane Gray was British, and hers is the most doubtful case in the list, for the fact rests only on the testimony of one Thomas Bourchier, an English minor brother, who asserts that she had the stigmata in the feet. Of the remainder, the very large majority are of Italy, and as Dr. Imbert-Gourbeyre says: "Quel pays fut jamais si fertile en miracles?"
The story of a Cupid, carved and coloured in imitation of the antique, is given by Condivi. It was the cause of Michael Angelo’s first visit to Rome. As soon as he reached the Eternal City he set to work at his sculpture, as the purchase of a piece of marble mentioned in his letter to Pier Francesco de’ Medici, sent to Florence under cover to Sandro Botticelli, indicates. During the whole of this very important visit he worked in marble. We have, however, one record of a cartoon by him for a Saint Francis receiving the Stigmata, to be painted by a certain barber; but that is all. He studied the works of antique art and imitated the finish and softness of the Hellenic style: marbles of debased Greek workmanship abound to this day in the Roman collections. Messer Jacopo Gallo, a Roman gentleman and a banker, commissioned a Bacchus, now in the Bargello at Florence, and a Cupid, said to be the statue now in the Victoria and Albert Museum, South Kensington. Condivi records these commissions. This Bacchus is the least dignified work that Michael Angelo ever executed. Perhaps, like a young artist struggling to get on, he listened too much to the wishes and suggestions of his intelligent patron. The finish and the truth to nature of the unpleasant youth are exquisite. The folds of the skin and the softness of the flesh are perfectly rendered, but the work is repulsive, save for the mischievous little Satyr who steals the grapes; he seems to take us out into the open air, and away from the fumes of the wine shop. Condivi calls the second statue a Cupid, but Springer points out that Ulisse Aldovrandi, who saw the statue in Messer Gallo’s house at Rome, talks of an Apollo quite naked, with a quiver at his side and an urn at his feet. The work, Cupid or Apollo, at Kensington, is not so finely finished as the other statues of this first Roman period; the head is like a copy of the head of the David, the division between the pectoral muscles is weak, and their attachments to the breast-bone are round, regular, and without distinction, very different from either the naturalism of the Bacchus, the delicate truth of the Piet
The phenomenon is akin to many which, according to medical and scientific testimony, occur to patients in the hypnotic state. The so-called stigmata of Louise Lateau, and of the shepherd boy put up by the Archbishop of Reims as a substitute for Joan of Arc, are cases in point.
As probably no one ever made verses on such an occasion before or since, they are deserving of quotation: "Stigmata maxillis referens insignia Laudis, Exultans remeo, victima grata Deo."
His face was wrinkled and his hair silvered; but an intelligent observer would have recognized at once the stigmata of passion and the furrows of pleasure which appeared in the crow's-feet and the marches-du-palais, so prized at the court of Cythera. Everything about this dainty chevalier bespoke the "ladies' man."
He thinks that stigmata of degeneration are probably better correlated with mental defect and also with nutritional or environmental conditions than with criminalism as such. Followers of Lombroso will be disappointed to read that he found only 83 epileptics, or possible epileptics, among his 1,000 cases.
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