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Updated: June 16, 2025


His Sartor is indeed more contained, and takes at its summit a higher flight than Rousseau's Confessions, or the Sorrows of Werther, or the first two cantos of Childe Harold: but reading Byron's letters is mingling with a world gay and grave; reading Goethe's walking in the Parthenon, though the Graces in the niches are sometimes unclad; reading Carlyle's is travelling through glimpses of sunny fields and then plunging into coal black tunnels.

Then he strolled away leisurely, and when he as in the wider stretches of the wood where the light was better he pulled a small book from his pocket and read as he walked. The volume was Sartor Resartus. His eyes happened to find this passage and he smiled as he read: All visible things are emblems. Hence clothes, as despicable as we think them, are so unspeakably significant.

Of his mother he says, "She was too mild and peaceful for the planet she lived in"; and of his father, a stone mason, he writes, "Could I write my books as he built his houses, walk my way so manfully through this shadow world, and leave it with so little blame, it were more than all my hopes." Of Carlyle's early school life we have some interesting glimpses in Sartor Resartus.

There are, however, passages in 'Sartor Resartus' and the 'French Revolution' which have long appeared to me to be the sublimest poetry of the century; and it was therefore with great pleasure that I found Mr.

He never went to Exeter Hall, or heard a popular preacher, or read Tracts for the Times or Sartor Resartus. The Harvest Supper As Adam was going homeward, on Wednesday evening, in the six o'clock sunlight, he saw in the distance the last load of barley winding its way towards the yard-gate of the Hall Farm, and heard the chant of "Harvest Home!" rising and sinking like a wave.

The success of Sartor Resartus encouraged them to the step. Her letter describes all the incoming. Here is his comment, written after her death: "In about a week all was swept and garnished, fairly habitable; and continued incessantly to get itself polished, civilised, and beautified to a degree that surprised one.

I cannot quit this part of Carlyle's life without mention of what I conceive to be his most original and remarkable production, "Sartor Resartus," The Stitcher Restitched: or, The Tailor Done Over, the title of an old Scotch song.

His style was not an imitation of the German, but a characteristic form of expression, natural to him and to his father. The gift of verse was denied him, but he is one of the great prose poets of the nineteenth century. Much of Sartor Resartus is highly poetic and parts of The French Revolution resemble a dramatic poem. JOHN RUSKlN, 1819-1900 Life.

Sterne is never obscure, and never moral; and the costume of his subjects is drawn from the familiar experience of his own time and country: and Swift, again, has the same merit of the clearest perspicuity, joined to that of the most homely, unaffected, forcible English. These points of difference seem to me the chief ones which bear against the success of the Sartor.

C., where they remained for several years, and where many of his best essays and Sartor Resartus were written, and where his correspondence with Goethe began. In 1831 he went to London to find a publisher for Sartor, but was unsuccessful, and it did not appear in book form until 1838, after having come out in Fraser's Magazine in 1833-34.

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