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Updated: June 14, 2025
About this time likewise Juan Sedeno arrived from Santi Spiritus with a cargo of provisions, and Cortes bought both ship and cargo upon credit, the owner enrolling himself for the expedition.
Anthony swore, by the soul of Psyche! that Augusta Fitzloom was an angel; and St. John was in equal raptures with Araminta, who had an expression about the eyes which reminded him, of Titian's Flora. Mrs. Fitzloom's natural silence did not disturb the uninterrupted jargon of the Santi, whose foppery elicited loud and continued approbation from the fair sisters.
Cagli is the chief town of the district, and here they show one of the best pictures left to us by Raphael's father, Giovanni Santi. It is a Madonna, attended by S. Peter, S. Francis, S. Dominic, S. John, and two angels. One of the angels is traditionally supposed to have been painted from the boy Raphael, and the face has something which reminds us of his portraits.
We may then take it for granted, that wherever the Virgin and Child appear attended by St. Sebastian and St. Roch, the picture has been a votive offering against the plague; and there is something touching in the number of such memorials which exist in the Italian churches. (v. Sacred and Legendary Art.) The brotherhoods instituted in most of the towns of Italy and Germany, for attending the sick and plague-stricken in times of public calamity, were placed under the protection of the Virgin of Mercy, St. Sebastian, and St. Roch; and many of these pictures were dedicated by such communities, or by the municipal authorities of the city or locality. There is a memorable example in a picture by Guido, painted, by command of the Senate of Bologna, after the cessation of the plague, which desolated the city in 1830. (Acad. Bologna.) The benign Virgin, with her Child, is seated in the skies: the rainbow, symbol of peace and reconciliation, is under her feet. The infant Christ, lovely and gracious, raises his right hand in the act of blessing; in the other he holds a branch of olive: angels scatter flowers around. Below stand the guardian saints, the "Santi Protettori" of Bologna; St. Petronius, St. Francis, St. Dominick; the warrior-martyrs, St. Proculus and St. Florian, in complete armour; with St. Ignatius and St. Francis Xavier. Below these is seen, as if through a dark cloud and diminished, the city of Bologna, where the dead are borne away in carts and on biers. The upper part of this famous picture is most charming for the gracious beauty of the expression, the freshness and delicacy of the colour. The lower part is less happy, though the head of St. Francis, which is the portrait of Guido's intimate friend and executor, Saulo Guidotti, can hardly be exceeded for intense and life-like truth. The other figures are deficient in expression and the execution hurried, so that on the whole it is inferior to the votive Piet
"Not mean it?" flashed back Gian Maria, his eye travelling from Santi to the hesitating captain. "Fool!" he blazed at the latter. "Brute beast, for what do you wait? Did you not hear me?" Without a second's delay the captain now raised his sword, and his deep, guttural voice barked an order to his men which brought their lances below the horizontal.
The drawing differs so essentially from the fresco that it can only be considered as a discarded design for it. It is in the style which Domenico Campagnola, in his Giorgionesque-Titianesque phase, so assiduously imitates. One of the many inaccuracies of Vasari in his biography of Titian is to speak of the St. Mark as "una piccola tavoletta, un S. Marco a sedere in mezzo a certi santi."
My second family name, Nessi, as I have said before, comes out of Lombardy and the city of Como. The Nessis of Como fled from Austrian rule, and came to Spain, probably peddling mousetraps and santi boniti barati.
If Jeronimo de Santi Esteban is coming, he must await me and not embarrass himself with anything, for they will take away from him all they can and silently leave him. Let him come here and the King and the Queen will receive him until I come. May our Lord have you in His holy keeping. "Done at Seville, March 21, 1502. "At your command. .S. .S.A.S. Xpo FERENS."
The boy had loved his father dearly, and it had been his great delight to be with him in the studio, to learn to grind and mix the colours and watch those wonderful pictures grow from day to day. But now all was changed. The quiet studio rang with angry voices, and the peaceful home was the scene of continual quarrelling. Who was to have the money, and how were the Santi estates to be divided?
At last he withdrew them slowly and presented a countenance that passion and chagrin had strangely ravaged in so little time. He turned to Santi, who stood nearest. "The guard," he said hoarsely, with a wave of the hand, and Santi went, none daring to utter a word. They waited thus an odd group, all very grave save one, and he the one that had most cause for gravity.
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