Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: May 2, 2025
He is said in the end to have made a flight of about four hundred yards, but this attempt at solving the problem ended on a house roof, where Guidotti broke his thigh bone. After that, apparently, he gave up the idea of flight, and went back to painting.
For this Guidotti, who was by profession an artist and by inclination an investigator, made for himself wings, of which the framework was of whalebone; these he covered with feathers, and with them made a number of gliding flights, attaining considerable proficiency.
There was, however, a certain Paolo Guidotti of Lucca, who lived in the latter half of the sixteenth century, and who attempted to carry da Vinci's theories one of them, at least, into practice.
But without going back to mythological times, without dwelling on Archytas of Tarentum, we find, in the works of Dante of Perugia, of Leonardo da Vinci and Guidotti, the idea of machines made to move through the air. Two centuries and a half afterwards inventors began to multiply. In 1742 the Marquis de Bacqueville designed a system of wings, tried it over the Seine, and fell and broke his arm.
We may then take it for granted, that wherever the Virgin and Child appear attended by St. Sebastian and St. Roch, the picture has been a votive offering against the plague; and there is something touching in the number of such memorials which exist in the Italian churches. (v. Sacred and Legendary Art.) The brotherhoods instituted in most of the towns of Italy and Germany, for attending the sick and plague-stricken in times of public calamity, were placed under the protection of the Virgin of Mercy, St. Sebastian, and St. Roch; and many of these pictures were dedicated by such communities, or by the municipal authorities of the city or locality. There is a memorable example in a picture by Guido, painted, by command of the Senate of Bologna, after the cessation of the plague, which desolated the city in 1830. (Acad. Bologna.) The benign Virgin, with her Child, is seated in the skies: the rainbow, symbol of peace and reconciliation, is under her feet. The infant Christ, lovely and gracious, raises his right hand in the act of blessing; in the other he holds a branch of olive: angels scatter flowers around. Below stand the guardian saints, the "Santi Protettori" of Bologna; St. Petronius, St. Francis, St. Dominick; the warrior-martyrs, St. Proculus and St. Florian, in complete armour; with St. Ignatius and St. Francis Xavier. Below these is seen, as if through a dark cloud and diminished, the city of Bologna, where the dead are borne away in carts and on biers. The upper part of this famous picture is most charming for the gracious beauty of the expression, the freshness and delicacy of the colour. The lower part is less happy, though the head of St. Francis, which is the portrait of Guido's intimate friend and executor, Saulo Guidotti, can hardly be exceeded for intense and life-like truth. The other figures are deficient in expression and the execution hurried, so that on the whole it is inferior to the votive Piet
Word Of The Day
Others Looking