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The drawing differs so essentially from the fresco that it can only be considered as a discarded design for it. It is in the style which Domenico Campagnola, in his Giorgionesque-Titianesque phase, so assiduously imitates. One of the many inaccuracies of Vasari in his biography of Titian is to speak of the St. Mark as "una piccola tavoletta, un S. Marco a sedere in mezzo a certi santi."
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