Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 25, 2025
We cry down Dante, and we cry up Francesco Cei, just for the sake of variety; and if we cry you up as a new Poliziano, heaven has taken care that it shall not be quite so great a lie as it might have been.
Hence the greater and more deliberate coarseness of the scenes, and the indecent jokes. Nevertheless, the point of view of the rustic lover is admirably maintained. Third in this company of poets comes Angelo Poliziano, with his 'Rusticus' in Latin hexameters.
Princes and people were growing uneasy with the presentiment of impending disaster; and now the only man who by his diplomatical sagacity could maintain the balance of power had been taken from them. To his friends and dependants in Florence the loss appeared irreparable. Poliziano poured forth his sorrow in a Latin threnody of touching and simple beauty.
At any rate, all the guide-books, Baedeker, Murray, and Hare, are wrong, though not so far out as that gentleman who, having assured us that Boccaccio was a "little priest," and that Petrarch, Poliziano, Lorenzo, and Pulci were of no account as poets, remarks that Shelley's body was found at Lerici, and that he was burned close by. See Carmichael, The Old Road, etc., pp. 183-202.
He caused the triumphs to be carefully prepared by the best artists, the dresses of the masquers to be accurately studied, and their chariots to be adorned with illustrative paintings. Michelangelo's old friend Granacci dedicated his talents to these shows, which also employed the wayward fancy of Piero di Cosimo and Pontormo's power as a colourist. "It was their wont," says Il Lasca, "to go forth after dinner; and often the processions paraded through the streets till three or four hours into the night, with a multitude of masked men on horseback following, richly dressed, exceeding sometimes three hundred in number, and as many on foot with lighted torches. Thus they traversed the city, singing to the accompaniment of music arranged for four, eight, twelve, or even fifteen voices, and supported by various instruments." Lorenzo represented the worst as well as the best qualities of his age. If he knew how to enslave Florence, it was because his own temperament inclined him to share the amusements of the crowd, while his genius enabled him to invest corruption with charm. His friend Poliziano entered with the zest of a poet and a pleasure-seeker into these diversions. He helped Lorenzo to revive the Tuscan Mayday games, and wrote exquisite lyrics to be sung by girls in summer evenings on the public squares. This giant of learning, who filled the lecture-rooms of Florence with Students of all nations, and whose critical and rhetorical labours marked an epoch in the history of scholarship, was by nature a versifier, and a versifier of the people. He found nothing' easier than to throw aside his professor's mantle and to improvise ballate for women to chant as they danced their rounds upon the Piazza di S. Trinit
We have therefore to judge between the testimony of Poliziano, who held no communication with the friar, and the veracity of several narrators, biassed indeed by hostility toward the Medici, but in direct intercourse with the only man who could tell the exact truth of what passed the confessor, Savonarola, who had been alone with Lorenzo.
Another Pavian professor with whom he had a controversy over certain commentaries of Martial, had, it appears, ventured to hint that Merula did not really know Greek, an insinuation which provoked the most violent display of anger on his part, and when Poliziano endeavoured to appease both parties, the affronted Lombard flew at him like a small terrier attacking some big mastiff.
Surely, here is the description of an ideal opera book. Two editions of the play are known and both are published in a volume edited by Carducci. The first version is that originally printed in 1494 and reprinted frequently up to 1776. In the latter year the second version was brought out by Padre Ireneo Affo at Venice. This was in all probability a revision of the poem by Poliziano.
At the cry which broke from Lorenzo dei Medici when he saw him disappear, Ermolao, Poliziano, and Pico delta Mirandola, who had heard all, returned into the room, and found their friend convulsively clutching in his arms a magnificent crucifix which he had just taken dawn from the bed-head. In vain did they try to reassure him with friendly words.
Some of the company tossed silver coin at the young man, but he let the money lie where it fell. Michel at this time was applying himself to the study of anatomy, and giving his attention to literature under the tutorship of the famous poet and scholar, Poliziano, who resided at the court. So filled was the young man's mind with his work that he was blind to the discontent arising in the State.
Word Of The Day
Others Looking