Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 25, 2025
Vespasiano da Bisticci contributed a series of most valuable portraits to the literature of Italy: all the great men of his time are there delineated with a simplicity that is the sign of absolute sincerity, Poliziano was present at the murder of Giuliano de' Medici in the Florentine Duomo. The historians of the sixteenth century will be noticed together further on.
There is still extant a letter to Canale, written by the young poet Angelo Poliziano regarding his Orfeo; the manuscript of this, the first attempt in the field of the drama which marked the renaissance of the Italian theater, was in the hands of Canale, who, appreciating the work of the faint-hearted poet, was endeavoring to encourage him.
Crowe and Cavalcaselle, History of Painting in Italy, 1903, vol. ii. p. 290. For a full consideration of these and other works of Perugino, Gentile da Fabriano, and the Umbrian masters, see my Cities of Umbria. Poliziano, Stanza I, str. 43, 44, 46, 47 68, 72, 85, 94; and Alberti, Opere Volgari, Della Pittura, Lib.
Nowhere do Bembo, Aldus, or the Strozzi speak of her as a poet, nor are there any verses by her in existence. It is not certain that even the Spanish canzoni which are found in some of her letters to Bembo were composed by her. The letter, with the inscription "A Messer Carlo Canale," is printed in the edition of Milan, 1808. Angelo Poliziano, Le Stanze e l'Orfeo ed altre poesie.
The companion to this picture represents the angel appearing to S. Zacharias, and here again Ghirlandaio gives us contemporary Florentines, portraits of distinguished Tornabuoni men and certain friends of eminence among them. In the little group low down on the left, for example, are Poliziano and Marsilio Ficino, the Platonist.
In the left corner you may see Marsilio Ficino dressed as a priest; Gentile de' Becchi turns to him, while Cristoforo Landini in a red cloak stands by, and Angelo Poliziano lifts up his hands. Does one ever regret, I wonder, after looking at these realistic fifteenth-century works, that the frescoes of Orcagna for he painted the whole choir were destroyed in a storm, it is said, in 1358.
Italian Literature and its Divisions. 2. The Dialects. 3. The Italian Language. Latin Influence. 2. Early Italian Poetry and Prose. 3. Dante. 4. Petrarch. 5. Boccaccio and other Prose Writers. 6. First Decline of Italian Literature. The Close of the Fifteenth Century; Lorenzo de' Medici. 2. The Origin of the Drama and Romantic Epic; Poliziano, Pulci, Boiardo. 3. Romantic Epic Poetry; Ariosto. 4.
If they had paused for a moment to consider that Peri and Caccini chose the same story for the book of their operas, in which the musical departure was even more significant than the dramatic innovation of Poliziano had been, that Monteverde utilized the same theme in his epoch-making "Orfeo," and that for nearly two centuries the poetic and musical suggestiveness of the Orpheus legend made it hold its grip on the affections of composers, they might have realized better the relative value of the achievement of Poliziano.
Some of the stanzas of Poliziano and Boiardo, in particular, might have been written to explain his pictures, or his pictures might have been painted to illustrate their verses . In both Poliziano and Boiardo we find the same touch upon antique things as in Botticelli; and this makes him serviceable almost above all painters to the readers of Renaissance poetry.
The family name was Ambrogini, but from the Latinized name of his native town turned into Italian he constructed the title of Poliziano, by which he was afterward known. At the age of ten he was sent to Florence, then governed by Lorenzo de Medici. He studied under the famous Greeks Argyropoulos and Kallistos and the equally famous Italians, Landino and Ficino.
Word Of The Day
Others Looking