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Updated: June 25, 2025
He kept a lamp always burning before Plato's bust, and later founded the Platonic Academy, at which Plato's works were discussed, orations delivered, and new dialogues exchanged, between such keen minds as Marsilio, Pulci, Landini, Giovanni Cavalcanti, Leon Battista Alberti, the architect and scholar, Pico dell a Mirandola, the precocious disputant and aristocratic mystic, Poliziano, the tutor of Lorenzo's sons, and Lorenzo the Magnificent himself.
The earliest secular play in Italian is, then, nothing but a sacra rappresentazione on a pagan theme, a fact which was probably clearly recognized when, in the early editions from 1494 onwards, the piece was described as the 'festa di Orpheo . It was written in 1471, when Poliziano was about seventeen, and we learn from the author's epistle prefixed to the printed edition that ît was composed in the short space of two days for representation before Cardinal Francesco Gonzaga at Mantua. From the same epistle we learn that the author desired, or at least assumed the attitude of desiring, that his composition should share the fate of the ill-fashioned Lacedaemonian children; 'Cognoscendo questa mia figliuola essere di qualit
The second, who was kneeling and holding one hand of the dying man between his own, was Angelo Poliziano, the Catullus of the fifteenth century, a classic of the lighter sort, who in his Latin verses might have been mistaken for a poet of the Augustan age.
At the time of Lorenzo and Giuliano's famous tournament in the Piazza of S. Croce, Poliziano wrote, as I have said, the descriptive allegorical poem which gave Botticelli ideas for his "Birth of Venus" and "Primavera". He lives chiefly by his Latin poems; but he did much to make the language of Tuscany a literary tongue.
William Shepherd's innocent affair, "The Life of Poggio Bracciolini"; but the deficiencies of the biographers have been supplied by a true man of genius, Poliziano, who has hit off his character in a noun substantive and an adjective in the superlative.
It is in the Sassetti chapel that we find the Ghirlandaio frescoes of scenes in the life of S. Francis which bring so many strangers to this church. The painting which depicts S. Francis receiving the charter from the Emperor Honorius is interesting both for its history and its painting; for it contains a valuable record of what the Palazzo Vecchio and Loggia de' Lanzi were like in 1485, and also many portraits: among them Lorenzo the Magnificent, on the extreme right holding out his hand: Poliziano, tutor of the Medici boys, coming first up the stairs; and on the extreme left very probably Verrocchio, one of Ghirlandaio's favourite painters. We find old Florence again in the very attractive picture of the resuscitation of the nice little girl in violet, a daughter of the Spini family, who fell from a window of the Spini palace (as we see in the distance on the left, this being one of the old synchronized scenes) and was brought to life by S. Francis, who chanced to be flying by. The scene is intensely local: just outside the church, looking along what is now the Piazza S. Trinit
He was not like the bookmen of the revival of learning Poliziano, Valla, or Alberti may stand as examples who after putting on the armour of the learned language and saturating themselves with the literæ humaniores, made excursions into some domain of science for the sake of recreation.
Physically, he was powerful, tall, and active; fond of field-sports, and one of the best pallone-players of his time in Italy. Though he had been a pupil of Poliziano, he displayed but little of his father's interest in learning, art, and literature. Chance brought Michelangelo into personal relations with this man.
But the coadjutor whose aid he principally relied on, to whom he committed the care and arrangement of his vast museum and great library, was Poliziano, who himself made frequent excursions throughout Europe, Asia, and Northern Africa to discover and purchase such remains of antiquity as suited the purposes of his patron.
He is better known in the history of literature as Poliziano, or Politianus, a name he took from his native city, when he came, a marvellous boy, at the age of ten, to Florence, and joined the household of Lorenzo de' Medici. He had already claims upon Lorenzo's hospitality.
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