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Lanzi and Rudolfi praised her as an artist, and her fame now rests on the testimony of those who saw her works rather than on the pictures themselves, some of which are said to be in private collections in Italy. Titian painted her portrait as a tribute to her beauty; Tasso celebrated her intellectual charm in a sonnet, and yet she was but nineteen years old when she died.

"One day as I was admiring Benvenuto Cellini's wonderful Perseus, in front of the Loggia del Lanzi, I suddenly felt my sleeve pulled somewhat roughly, and on turning round, I found myself face to face with a woman of about fifty, who said to me with a strong German accent: 'You are French, Monsieur, are you not? 'Certainly, I am, I replied.

Gian's best-known work is the Flying Mercury in the Bargello, which we have seen, on mantelpieces and in shop windows, everywhere; but what is considered his masterpiece is over there, in the Loggia de' Lanzi, the very beautiful building on the right of the Palazzo, the "Rape of the Sabines," a group which, to me, gives no pleasure.

But perhaps it is as an architect that Orcagna is most interesting to us, for he it was who made the designs for the Loggia de Lanzi in Florence. Orcagna probably died before the Loggia was completed, and his brother Bernardo succeeded him as architect of the commune.

Failing such a possibility, they might, at least, be placed under the Loggia dei Lanzi, away from the repulsive grotesque of stucco and stalactite that grins at them in the grotto. If something must be left as a companion to the ugly thing, plaster casts would be quite good enough.

Lanzi says he painted a picture of Leo X. so full of life, that the Cardinal Datary approached it with a bull and pen and ink, for the Pope's signature. A similar story is related of Titian. Count Algarotti relates, that Annibale Caracci was so deceived by a book painted upon a table by Jacopo da Ponte, that he stretched out his hand to take it up.

We went to the Uffizi gallery, the whole of which with its contents is now familiar to us, except the room containing drawings; and our to-day's visit was especially to them. The door giving admittance to them is the very last in the gallery; and the rooms, three in number, are, I should judge, over the Loggia de' Lanzi, looking on the Grand Ducal Piazza.

I shall rent an entire villa and you will be surprised. You have my permission now to satisfy your hunger, and look about a bit in Florence. I won't be home till evening. If I need you then, I will have you called." I looked at the Duomo, the Palazzo Vecchio, the Logia di Lanzi, and then I stood for a long time on the banks of the Arno.

The spectator fronts the Palazzo, and has to his extreme right the Loggia de' Lanzi. The center of the square is occupied by a great circular pile of billets and fagots, to which a wooden bridge of scaffolding leads from the left angle of the Polazzo. From the middle of the pile rises a pole, to which the bodies of the friars in their white clothes are suspended.

He therefore voted for the middle of the Loggia dei Lanzi, where the David would be under cover." Messer Angelo di Lorenzo Manfidi, second herald of the Signory, rose to state a professional objection. "The David, if erected under the middle arch of the Loggia, would break the order of the ceremonies practised there by the Signory and other magistrates.