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It should be particularly noted that all of them went to Italy before the fall of the Greek empire in 1453. Andronicus Kallistos was one of the popular lecturers of the time and one of the first Greeks to visit France. Cristoforo Landino, one of the famous coterie of intellectual men associated with Lorenzo de Medici, took the chair of rhetoric and poetry at Florence in 1454.
Among these was one Jacopo di Casentino, who, being born, as it is read, of the family of Messer Cristoforo Landino of Pratovecchio, was apprenticed by a friar of the Casentino, then Prior at the Sasso della Vernia, to Taddeo Gaddi, while Taddeo was working in that convent, to the end that he might learn drawing and colouring in the art, wherein in a few years he succeeded so well that, betaking himself to Florence and executing many works in company with Giovanni da Milano in the service of Taddeo their master, he was made to paint the shrine of the Madonna of the Mercato Vecchio, with the panel in distemper, and likewise the one at the corner of the Piazza di S. Niccolò and the Via del Cocomero, which were restored a few years ago, both one and the other, by a worse master than was Jacopo; and for the Dyers he painted that which is in S. Nofri, at the corner of the wall of their garden, opposite to S. Giuseppe.
If they did produce any of these "trifles," as they were called, they almost blushed to own them, and were ashamed to communicate them to each other. That he dared to be natural says much for Lorenzo, and it was largely due to his encouragement that Cristoforo Landino undertook his great work on "Dante," to which we owe so much to-day.
Cristoforo Landino said that the excellent Bardo was one of those scholars who lie overthrown in their learning, like cavaliers in heavy armour, and then get angry because they are over-ridden which pithy remark, it seems to me, was not a herb out of his own garden; for of all men, for feeding one with an empty spoon and gagging one with vain expectation by long discourse, Messer Cristoforo is the pearl.
For example, he enlisted the aid of Cristoforo Landino, who in his Disputationes Camaldunenses had really inaugurated the science of textual criticism by urging that a careful comparison of the various codices should constitute the preliminary step in any reproduction of the classics. Landino's work on Vergil and Horace merits the warmest praise.
In his early youth she had watched over his religious education, and in his grandfather's house he had met not only statesmen and bankers, but artists and men of letters. His first tutor had been Gentile Becchi of Urbino, afterwards Bishop of Arezzo; from him he learned Latin, but Argyropolus and Ficino and Landino taught him Greek, and read Plato and Aristotle with him.
"Nay, my good Nello," said Bardo, with an air of friendly severity, "you are not altogether illiterate, and might doubtless have made a more respectable progress in learning if you had abstained somewhat from the cicalata and gossip of the street-corner, to which our Florentines are excessively addicted; but still more if you had not clogged your memory with those frivolous productions of which Luigi Pulci has furnished the most peccant exemplar a compendium of extravagances and incongruities the farthest removed from the models of a pure age, and resembling rather the grylli or conceits of a period when mystic meaning was held a warrant for monstrosity of form; with this difference, that while the monstrosity is retained, the mystic meaning is absent; in contemptible contrast with the great poem of Virgil, who, as I long held with Filelfo, before Landino had taken upon him to expound the same opinion, embodied the deepest lessons of philosophy in a graceful and well-knit fable.
While during the one hour he would be found learnedly discussing the rival claims of the Platonic and Aristotelian philosophers with Ficino and Landino, the next might witness him the foremost reveller in the Florentine carnival, crowned with flowers and with the winecup in his hand, gayly carolling the ballate he had composed for the occasion; while the third might behold him surrounded by the leading painters and sculptors of Tuscany, discoursing profoundly on the aims and mission of art.
[Footnote 3: For vita nova in the sense of early life, see Purgatory, xxx. 115, with the comments of Landino and Benvenuto da Imola; and for et
Now Scala had abundance of friends who were ready to praise his writings: friends like Ficino and Landino amiable browsers in the Medicean park along with himself who found his Latin prose style elegant and masculine; and the terrible Joseph Scaliger, who was to pronounce him totally ignorant of Latinity, was at a comfortable distance in the next century.
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