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"On the appointed day the men of Florence advanced their standards to go into the enemies' land, and passed by Casentino along an ill road where, had the enemy found them, they had received no little damage; but such was not the will of God. And they came near to Bibbiena, at a place called Campaldino where was the enemy, and there they halted in array of battle.

The same was done for mastery and dexterity of handling by Spinello Aretino and his son Parri, Jacopo di Casentino, Antonio Viniziano, Lippo, Gherardo Starnina, and the other painters who laboured after Giotto, following his feeling, lineaments, colouring, and manner, and even improving them somewhat, but not so much as to make it appear that they were aiming at another goal.

This work finished, Jacopo returned to the Casentino, and after he had made many works in Pratovecchio, in Poppi, and other places in that valley, he betook himself to Arezzo, which then governed itself with the counsel of sixty of its richest and most honoured citizens, to whose care was committed the whole administration.

By Sabine Baring-Gould. XIII. KING ROBERT OF SICILY From "The Wayside Inn." By Henry Wadsworth Longfellow. Translated from the Italian by Mrs. Francis Alexander. Originally written in Latin by Messer Torrelo of Casentino, Canonico of Fiesole, and put into Italian by Don Silvano. By Alfred Tennyson. XVII. RIP VAN WINKLE Washington Irving. By Nathaniel Hawthorne.

In that time in which the portion of Tuscany called Casentino was not yet subject to the Florentines, but was ruled by its own counts, in the lands of Poppi, an important place in that valley through which runs the river Arno, and not far from its source, a son was born to a certain good man named Paolo, to whom he gave the name of Torello, and whom, when a suitable age, he not only taught to fear God, and to lead a Christian life, but sent to school, that he might learn the first principles of letters which he soon did and to avoid evil companions and imitate the good.

Difficulties arising, the patriarch attacked the Casentino, took Prato Vecchio, and Romena, and offered them also to the Florentines, who refused them likewise, unless the pope would consent they should restore them to the count, to which, after much hesitation, he acceded, on condition that the Florentines should prevail with the Count di Poppi to restore the Borgo to him.

"That is a subject I never think of or discuss, if I can help it," he said, abruptly; and, rising to his feet, he pointed out that the sun was declining fast towards the plain of the Casentino, and they were far from their hotel. "Inhuman! unreasonable!" was the cry of the critical sense in her as she followed him in silence.

"Nay, you will surely like to be called when the contadini come carrying their torches," said Nello; "you would not miss the country-folk of the Mugello and the Casentino, of whom your favourite Leonardo would make a hundred grotesque sketches." "No," said Piero, resolutely, "I will see nothing till the car of the Zecca comes.

Brescia relieved by Sforza His other victories Piccinino is recalled into Lombardy He endeavors to bring the Florentines to an engagement He is routed before Anghiari Serious disorders in the camp of the Florentines after the victory Death of Rinaldo degli Albizzi His character Neri Capponi goes to recover the Casentino The Count di Poppi surrenders His discourse upon quitting his possessions.

Among these was one Jacopo di Casentino, who, being born, as it is read, of the family of Messer Cristoforo Landino of Pratovecchio, was apprenticed by a friar of the Casentino, then Prior at the Sasso della Vernia, to Taddeo Gaddi, while Taddeo was working in that convent, to the end that he might learn drawing and colouring in the art, wherein in a few years he succeeded so well that, betaking himself to Florence and executing many works in company with Giovanni da Milano in the service of Taddeo their master, he was made to paint the shrine of the Madonna of the Mercato Vecchio, with the panel in distemper, and likewise the one at the corner of the Piazza di S. Niccolò and the Via del Cocomero, which were restored a few years ago, both one and the other, by a worse master than was Jacopo; and for the Dyers he painted that which is in S. Nofri, at the corner of the wall of their garden, opposite to S. Giuseppe.