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Updated: April 30, 2025


Two short stories illustrate different views of what we call civilization: Aristippus was a young Greek gentleman of large means, genuine intellectual power, a sense of humor and a reputation as a philosopher. He was on his way to Corinth with a young lady named Lais, or possibly he was coming from Corinth with her. Anyhow, he was wrecked on the voyage.

If it were not for fear of the devil, one would be Lais; another owes her virtue to the dryness of her selfish heart; a third to the silly behaviour of her first lover; another still " The author checked this outpour of revelation by confiding to the two ladies his design for the work with which he had been haunted; they smiled and promised him their assistance.

M. Lais, first singer to his Majesty, M. Kreutzer, and M. Baillot, first violinists of the same rank, had gathered the finest talent which the imperial chapel, the opera, and the grand lyric theaters possessed, either as instrumental players or male and female singers.

Lais, in Paris, must first and foremost find a rich man mad enough to pay her price.

Gorgias addresses them: 'I am Gorgias, the rich Athenian; I alone am as rich as all the kings of Asia, and I offer you a palace paved with gold. Aspasia, Laïs, Phryné, which of us do you choose? The statues turn their heads and smile faintly on Gorgias, who starts and stands as if petrified. The Athenians look horror-struck.

"What is Master Drusus like?" asked Chloë "Will he be kind, or will he be always whipping like Mamercus?" "He was not in charge of the estate," replied Laïs, the older woman, "when he went away to study at Athens a few years ago. But he was always kind as a lad. Cappadox, his old body-servant, worshipped him. I hope he will take the charge of the farm out of the steward's hands."

There is one of the many Laises who have sat to Phidias. Aspasia must not take it ill. And here are flute-players from Piraeus. Whether they have the pestilence, I know not! What can they do to me? I am twenty years old, and yet have done nothing? Why, then, should I live? Now Lais will dance. Papaia!" Euripides rose and made a sign for silence.

He looked up at the circle about him, and, still kneeling, not taking his hand from the sand, seeming to wait for a sign, to listen for a voice, he said: "Whafo' you gelmun think de good Lawd summon Marse Hawkliss? Kaze he de mos' fittes'? You know dat man he ketch me in de cole night, wintuh 'to' lais', stealin' 'is wood. You know whut he done t'de ole thief?

From the story of Tristan and the 'lais' of Mary of France, down to the Vita Nuova of Dante, that with which it is occupied is the human heart, its hopes and fears, its joys and sorrows, its exultation and despair. We have only to read the earliest and greatest forms in which the story of Tristan and Iseult have come down to us to see this for ourselves.

Marie’s lays are stories of deep meaning, which each reader must interpret for himself. Warnke. Die lais der Marie de France, p. lxiii. It is impossible to do more here than just touch upon Marie’s ideal conception of love, for to realise it fully it is necessary to read the stories themselves.

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