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Updated: June 14, 2025


But he was relieved that Santacilla's attention had been shifted from him. Another officer, a major of the Isabel regiment, tall and dark and melancholy, joined them. He ignored Charles completely, and talked to La Clavel about her dances the Arragonese jota and those of the other provinces of Spain. He had, it developed, written an opera on the subject of de Gama and a fabulous Florida.

It is always the jota aragonesa, which is not so much dancing as twirling about slowly, and, it would almost seem, sadly; but there is always a circle of admiring lookers-on, who beat time with stamping of feet and clapping of hands, and watch the performance as eagerly as if there were something quite fresh and new about it.

In the court-yard a small space was cleared, and changing couples danced El Jarabe and La Jota, two stately jigs, whilst the spectators applauded with wild and impartial enthusiasm, and Don Guillermo from the corridor threw silver coins at the dancers' feet. Now and again a pretty girl would dance alone, her gay skirt lifted with the tips of her fingers, her eyes fixed upon the ground.

The piano next door took up, where it had been dropped, the jota from Liszt's Rhapsody Espagnol. It rippled and sang for a moment and then ended definitely for the night. Other dancers, Charles reasonably supposed, continued the passionate art of that lyric passage; he read of them, coming from Spain to the United States for no other purpose.

With this in his thoughts he went to the door, in answer to a knock, and received a heavy carefully tied parcel. He opened it, and, dripping in dazzling color from the wrapping paper, was La Clavel's mantón, the one in which he had first seen her insolently dancing the jota. Charles, with a stirred heart, searched carefully for a note, a scrap of revealing paper; but there was none.

Haughtily proud of her origin, pointing to her birthplace the Plaza in its shabby, tumbled-down setting as the birthplace of the city. A girl speaking Spanish, softly and beautifully, and knowing instinctively the steps of the bewitching La Jota. A hint of Carmen; a romantic girl. A girl for a stroll in the moonlight and a kiss upon taunting lips. And Spring street!

Y, sin embargo, no siento El haberte conocido. I was so happy before I had met you on my way! And yet there is no regret That I have learned to know you. The malaguena and the seguidilla, which is more complicated, are generally seen on the stage only in Madrid, where they must charm all who can appreciate the poetry of motion. The dance of the peasant in Castile is always the jota Aragonesa.

"Certainly I know that there has been a rebellion; but it is stamped out, ended, now; there are no signs of it in Havana, when I dance the jota; so why isn't everyone sensible and social; why, if they are victorious, are not Gaspar Arco de Vaca and Ceaza y Santacilla easier? If, as it must be, Cuba is subjected, why doesn't it ignore the unpleasant and take what the days and nights always offer?

Now, with the refrain of the piano, the jota, running through his thoughts, Andrés was as real as he had been forty years ago. It was forty years almost to the month since they had gone to the public ball, the danzón, in the Tacon Theatre. That, however, was at the close of the period which had recurred to him like a flare in the dusk of the past.

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