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The young Jewesses called out all at once: "The Danish woman I The Danish woman! We are Danish!" They were irritated at the dead Romanticism into which Goldschmidt was trying to push them back. They lighted no Sabbath candles! they did not feel themselves Jewish either by religion or nationality. The day of Antisemitism had not arrived. Consequently there was still no Zionist Movement.
II, No. 1, pp. 53f. Goldschmidt, R. A Case of Facultative Parthenogenesis. Biol. Bulletin, 1917. Vol. XXXII, No. 1, p. 38. Goldschmidt, R. Intersexuality and the Endocrine Aspect of Sex. Endocrinology, Vol. I, p. 434. 1917. Fine summary of the work done on moths, birds and various forms by many biologists. Riddle, Dr Oscar.
Goldschmidt is of a naive disposition, susceptible of every noble emotion. It is true that he often stages these in a comic manner, and what you say about that is true; he does the same in private life, but you have not recognised the source of this. In the last instance, it is not a question of what we think, but of what we do.
She won prizes and medals at an early age, and became famous through many concert tours, partly alone and partly in company with the violinist Sarasate. Her works include a number of excellent display pieces. She is now Mme. Otto Goldschmidt. Two other brilliant performers and writers for the piano are Charlotte Tardieu de Malleville and Helene Collin.
It was well known that Goldschmidt admired a very beautiful woman, who was watched the more jealously by her husband, because the latter had for a great number of years been paralysed. The husband met with no sympathy from the public; he had always been a characterless and sterile writer, had published only two books, written in a diametrically opposite spirit, flatly contradicting one another.
Goldschmidt had greater difficulty in hitting on the right manner to adopt towards a much younger man. He used expressions which showed that he was standing on his dignity, and was all the time conscious of his own superiority. "People have spoken about you to me," he said, "and I know you by name." The word here rendered people had a strangely foreign sound, as though translated, or affected.
All analogy teaches me that if she had begun on bass, and the other part had been given to man, we should be hearing today of Ma'lle Patti, "the charming new baritone," and "the magnificent basso," Madame Jenny Lind Goldschmidt, while admiring crowds would toss flowers to Carl Formes, "the unapproachable soprano," or Mario, "the king of contraltos."
"Thermit," whispered Constance in reply, as the two watched the glowing mass fascinated, "an invention of a German chemist named Goldschmidt. It will burn a hole right through steel at a terrific temperature, three thousand or more degrees." The almost burned out mass seemed to fall into the safe as if it had been a wooden box instead of chrome steel.
"They look as if they had not been swept for that time don't they? Hey? I did not say that I had them for seventy years, but that Sir Joshua has visited me here." "When?" I asked, eying the man sternly, for I began to think he was an impostor. He answered me with a glance still more stern: "Sir Joshua Reynolds was here this very morning, with Angelica Kaufmann and Mr. Oliver Goldschmidt.
His departure was thus a very hard blow for Bjoernson, but for that matter, was also felt as a painful loss by those he opposed. Not long after this departure, and immediately after the publication of my long article on Goldschmidt, I received one day, to my surprise, a letter of eight closely written pages from Bjoernstjerne Bjoernson, dated April 15th, 1869.
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