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I think, however, I will still send you something by Monday's mail if you will promise not to use it if you don't truly want it. There is rather a flat and barrenness just now in the world of music, but, with the Academy exhibition, Brackett's group, and the Paul Delaroche picture we can make out something. Your paper is a triumph.
I was so pleased, because two of them dined at the Tuileries when grandmamma was there; and she mistook one, who was covered all over with crosses, for an ambassador, I believe, till the Queen call him Monsieur Delaroche. She says there is no knowing people in this country. And do you think you will never be able to paint as well as M. Delaroche? Clive. No never. Ethel.
Delaroche also has completed many pictures which with his name will be immortal; the same may be said of Ary Scheffer, whilst Ingres is known and cited all over Europe for the perfection of his drawing, supposed to be the only man who could correctly draw the naked human figure in any position without a model.
All the time he was with Delaroche he was dissatisfied with his work and with his master's, which seemed to Millet artificial, untrue. He knew nothing of the classical figures the master painted and wished him to paint, for his heart and mind were back in Gruchy among the scenes that bore a meaning for him.
"The Young Princes in the Tower," "The Execution of Marie Antoinette," "The Death of Queen Elizabeth," "Cromwell viewing the Body of Charles I." these were the kind of pictures on which Delaroche loved to employ himself. Millet, on the other hand, though also full of dignity and pathos, together with an earnestness far surpassing Delaroche's, did not care for these lofty subjects.
I pressed her hand again. "Besides, Monsieur Delaroche was not there. He was not even invited; so you see how far they were from laying matchmaking plots, and how groundless were all your fears and reproaches!" Monsieur Delaroche! Could this be the Delaroche of my special aversion? I pressed her hand again, more closely, more tenderly, and listened for what might come next.
In fact, Millet was an original genius, whereas the teachers at the School of Fine Arts were careful and methodical rule-of-thumb martinets. They wished to train Millet into the ordinary pattern, which he could not follow; and in the end, he left the school, and attached himself to the studio of Paul Delaroche, then the greatest painter of historical pictures in all Paris.
There, he continued his hard battle against the taste of the time; for French art was then dominated by the influence of men like Delaroche, or like Delacroix and Horace Vernet, who had accustomed the public to pictures of a very lofty, a very romantic, or a very fiery sort; and there were few indeed who cared for stern and sympathetic delineations of the French peasant's unlovely life of unremitting toil, such as Millet loved to set before them.
The Hemicycle is richly colored, and has a great deal of fine painting in it; but from its very nature it has no dramatic power, and does not arouse any deep sentiment in one who studies it. Delaroche was paid only about fifteen thousand dollars for this great labor, and refused to have any further reward. Perhaps none of his works are more powerful than the "Death of the Duke of Guise."
She would have gone back to Cherbourg, but there was no money to send her, and pride prevented her from writing the truth to her friends at home. She prayed for death, and death came. The students at Delaroche's contributed to meet the expenses of her funeral. Jean Francois still struggled on. Delaroche and others declared his work was great, but how could they make people buy it?
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