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Updated: June 6, 2025


Some of his other pictures are "The Emperor at Solferino," "Moreau and His Staff before Hohenlinden," "A Reading at Diderot's" and the "Chess Players." Fontainebleau-Barbizon School 1814-1875 Pupil of Delaroche Two great artists painted peasants and little else. One was the artist of whom we shall speak, and the other was Jules Breton. One was realistic, the other idealistic.

From that moment he heard no more from them, for they were certain that if he could not paint he could use his fists a good deal better than any of them. Delaroche liked the peasant but did not understand him very well, and Millet was not too fond of his painting, so after two years he and a friend withdrew from that studio and set up one for themselves.

In this gloom, uncertain of his bearings, he stumbled at every turn, speaking of Murger who had "the care of a chiselled and carefully finished style"; of Hugo who sought the noisome and unclean and to whom he dared compare De Laprade; of Paul Delacroix who scorned the rules; of Paul Delaroche and of the poet Reboul, whom he praised because of their apparent faith.

It was an oppressive autumnal night without a star in the sky, and so still that one might have carried a lighted taper through the streets. Finding it thus warm, Madame de Marignan proposed walking down the line of carriages, instead of waiting till her own came up; and so she and M. Delaroche led the way and I followed.

Their nakedness is too disgusting, for it is not relieved by sentiment, unless of the basest kind. This remark of course does not apply to all the pictures I saw. Some of them are very fine, especially those of Delaroche and the war pictures of Horace Vernet. Near the entrance there is a beautiful group by Delaistre, representing Cupid and Psyche.

But each of those pictures was a gem; such Watteaus, such Greuzes, such landscapes by Patel, and, above all, such masterpieces by Ingres, Horace Vernet, and Delaroche were worth all the doubtful originals of Flemish and Italian art which make the ordinary boast of private collectors. These pictures occupied two rooms of moderate size, built for their reception, and lighted from above.

His alter ego was Delaroche, to whom he gave his daughter in marriage. Of the other painters, Boulanger, Delacroix, Ingres, Decamps, Jules Dupre were his favourites true artists, he deemed them. At the Salon he saw hardly anything to please him besides a canvas by Meissonier and Cogniet's Tintoretto painting his Dead Daughter.

I had, as usual, attended Madame de Marignan one evening to the Opera, and found myself, also as usual, neglected for a host of others. His name was Delaroche, and he called himself Monsieur le Comte Delaroche.

These were very different subjects indeed from the dignified kings and queens painted by Delaroche, or the fiery battle-pieces of Delacroix; but they touch a chord in our souls which those great painters fail to strike, and his treatment of them is always truthful, tender, melancholy, and exquisite.

In 1854 he exhibited a huge canvas, called "The Age of Augustus," a picture suggested, perhaps, by the "Hemicycle" of his master Delaroche, on which he himself had painted.

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