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The theatre to which he has introduced us, is immeasurably beyond the old one which he found. To say that he found, in the visible universe, a little wooden theatre of Thespis, a treteau or shed of vagrants, and that he presented us, at a price of toil and of anxiety that cannot be measured, with a Roman colosseum, that is to say nothing.
We are all spectators; and since by human craft the civilized world has become one mighty Colosseum, with place for everybody, may we not insist that the bloody games by which it is yet polluted shall cease, and that, instead of mutual-murdering gladiators filling the near-brought scene with death, there shall be a harmonious people, of different nations, but one fellowship, vying together only in works of industry and art, inspired and exalted by a divine beneficence?
Some of my readers may be able to remember the "Stalactite Caverns" which used to form one of the attractions at the Colosseum. It was there that I first studied the words of Juliet. To me the gloomy horror of the place was a perfect godsend! Here I could cultivate a creepy, eerie sensation, and get into a fitting frame of mind for the potion scene.
"That is a very fine wish," she said; "but I think mine is more likely to be granted first, because Professor Gates is to take us to the Colosseum this very morning, and I shall ask him every question about this history that I can think of." Several days had passed since their excursion to the Appian Way, but the children had found every one full to overflowing.
We were engaged to do it first at the Royal Colosseum, Regent's Park, by Sir Charles Wyndham's father, Mr. Culverwell. Kate and I played all the parts in each piece, and we did quick changes at the side worthy of Fregoli! The whole thing was quite a success, and after playing it at the Colosseum we started on a round of visits.
"You're rather a Nervy Nat yourself, aren't you?" her droll mother struck in. "As a Christian martyr, you would have had the Colosseum to yourself; every tiger and lion in Rome would have taken to the tall timber when you came on." As he rode ahead, chuckling, to join her daughter, Farrel knew that at all events he had earned the approval of the influential member of the Parker family. Mrs.
We turned our pilgrim feet to where the Colosseum wheels against the sky and gives up the world's eternal supreme note of splendour and of cruelty; and along the solitary dusty Appian Way, as if it were a country lane of the time we know, came a ragged Roman urchin with a basket.
His Fame His Autobiography Its Value for the Student of History, Manners, and Character, in the Renaissance Birth, Parentage, and Boyhood Flute-playing Apprenticeship to Marcone Wanderjahr The Goldsmith's Trade at Florence Torrigiani and England Cellini leaves Florence for Rome Quarrel with the Guasconti Homicidal Fury Cellini a Law to Himself Three Periods in his Manhood Life in Rome Diego at the Banquet Renaissance Feeling for Physical Beauty Sack of Rome Miracles in Cellini's Life His Affections Murder of his Brother's Assassin Sanctuary Pardon and Absolution Incantation in the Colosseum First Visit to France Adventures on the Way Accused of Stealing Crown Jewels in Rome Imprisonment in the Castle of S. Angelo The Governor Cellini's Escape His Visions The Nature of his Religion Second Visit to France The Wandering Court Le Petit Nesle Cellini in the French Law Courts Scene at Fontainebleau Return to Florence Cosimo de' Medici as a Patron Intrigues of a petty Court Bandinelli The Duchess Statue of Perseus End of Cellini's Life Cellini and Machiavelli.
At Rome he employed the poor in clearing away many feet of earth withinside the Colosseum, and discovered beneath a beautiful pavement; but when the Pope returned the superstition of the people took a sudden turn, and conceiving that this earth had been consecrated, and ought not to have been removed, they set to work and filled in all the rubbish again over the pavement!
Like its neighbours the Farnese and Sacchetti palaces, it had been built by Antonio da Sangallo in the early part of the sixteenth century, and, as with the former of those residences, the tradition ran that in raising the pile the architect had made use of stones pilfered from the Colosseum and the Theatre of Marcellus.
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