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In chapter two of the epistle the head or ruler of this organization is referred to, "the prince of the powers of the air." That is the real foe. Then in one of his strong piled up climactic sentences Paul tells how the fight is to be won. This sentence runs unbroken through verses fourteen to twenty inclusive. There are six preliminary clauses in it leading up to its main statement.
The fantasy, vague of melody, comes It is just to remember a like oscillation in the first Allegro. When the prologue recurs, the phrases are in ascent, instead of descent of octaves. A climactic verse of the main dulcet melody breaks out in resonant choir of brass and is followed by a soft rhapsody on the several strains that hark back to the beginning.
As a pretty counter-tune grows above, the melody sings below, with a blending of lyric feeling and the charm of dance. At a climactic height the horns, with clumsy grace, blare forth the main lilting phrase. The song now wings along with quicker tripping counter-tunes that slowly lure the first skipping tune back into the play after a prelude of high festivity.
The activity had ceased, the pleasure had been brought to him and had been his alone. All that there now was, was anti- climactic small talk. He told himself that a good guest would show his gratitude by getting dressed quickly and making a swift departure so as to not inconvenience Him. He told himself that all he needed to release from his lips were two basic words: please go.
And presently, not without feeling, but in a manner eliminating all account of his personal emotions, he was relating that climactic episode of the woman at the piano. The old gentleman listened intently, and in silence. "Yes," he said, when the rector had finished, "that is my observation. Most of them are driven to the life, and held in it, of course, by a remorseless civilization.
But in the Finale of Mahler's Fifth Symphony there is a true serenity, a new phase of symphony, without the climactic stress of traditional triumph, yet none the less joyous in essence. We cannot help rejoicing that in a sincere and poetic design of symphony is blended a splendid renaissance of pure counterpoint, that shines clear above the modern spurious pretence.
At last all meet in overpowering united torrent, suddenly to hush before the stream, at the broadest, rushes majestically along in hymnal song of exalted harmonies and triumphant melody, with joyous after-strains. As the pilgrim to his Mecca, so the waters are wafted into the climactic motive of the Hradschin, the chant of the holy citadel. The rest is a long jubilation
At last, in the nineteenth century, the climactic factor was added which gathered up all the rest and embraced them in a comprehensive philosophy of life. Evolution became a credible truth.
A climactic phrase of trumpets ends with a burst of all the chorus on stirring harmony, where in diminishing strokes of bells long rings the melodic note. The teasing motive of the nixie returns while the trumpet sounds a shadowy echo of its phrase, again to dying peal of bells. A chorus of eerie voices sing the mocking air, and again sounds the refrain of trumpet as in rebuke.
But those violent spiritual tempests which are created by the crowd when under the influence of certain climactic passages of dramatic song, that sudden bewildering ecstasy of the emotions, thoroughly honest and selfless they were but echoes of his own experiences and sensations, and filled him with glowing hope for the greatest possible power and effect.
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