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Updated: May 21, 2025
In all his mind there remained but one thought: that Michael Gregoriev, his father, was a witness of this scene! Yet he felt the touch upon his arm: he was sensible of the kindly whisper in his ear. Docilely he followed Nicholas off the stage away from this climactic fiasco of all his wretched series of failures.
Poetic in high degree is this subtle metamorphosis, so that the symphony in the first movement seems to prove the art rather than the national spirit of the Neo-Russians. Of the original answer is wrought all the balance and foil of second theme, and like the first it reaches a climactic height. But the first is the sovereign figure of the story.
But that was a real feud with fence-corner ambuscades and a sizable mortality list and nighttime assassinations and all; whereas this lesser thing, which now briefly is to be dealt with on its merits, had been no more than a neighborhood falling out, having but a solitary homicide for its climactic upshot.
Ye might ride her like to? Then, if yer pappy wanted, he cou'd buy her fur ye?" I looked at him in doubt. "Yes, he could. Yer pappy has more money than anyone hereabouts, and it ain't right I tell you, it ain't right to have a little boy like you and not give him eve-ry thing he wants!" His last words ended in that slow climactic inflection that made whatever he said so indisputable.
Perhaps the spectacle of the long, adorned table, the scent of flowers, the sound of music, the dark eyes of Mr. Edward Brown who was seated at her right hand. She felt a stranger to herself. Something in her soared intoxicatingly. The sound of her own gay chatter came to her from afar as from a stranger. Mr. Brown kept on looking at her. The butler was really the climactic triumph of the event.
It is fitting that Miss Montague's story should have received the first prize: poignant, short in words, great in significance, it will stand a minor climactic peak in that chain of literature produced during the actual progress of the World War. In the estimation of the Committee the year 1919 was not one of pre-eminent short stories. Why? There are several half-satisfactory explanations.
To Paul Satan is a cunning strategist requiring every bit of available resource to combat. This paragraph states two things: who the real foe is, against whom the fight is directed; and, then with climactic intensity it pitches on the main thing that routs him. Who is the real foe?
A climactic height is stressed by a rough meeting of opposing groups, in hostile tone and movement, ending in a trill of flutes and a reëntry of the episode. In the returning Allegro the thread is still the same, though richer in color and texture. Again there is the plunge into dark abyss, with shriek of harp, and the ominous theme in the depths.
Some of the exercises can be practiced with dual movements, first with activity and then release, but by varying the climactic action for a moment and gradually releasing, that is, by giving these a quadruple rhythm, we can accomplish better results than in the dual. In dual rhythm we are apt to collapse suddenly after a movement.
The skill with which the leisurely moving story rises to its vivid moments of climactic interest the duel in the wood, Hetty's flight, the death of Adam's father is marked and points plainly to the advance, through study and practice, of the novelist since the "Clerical Scenes"; constructive excellencies do not come by instinct.
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