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Millamant side by side with Celimene is an example of how far the realistic painting of a character can be carried to win our favour; and of where it falls short. Celimene is a woman's mind in movement, armed with an ungovernable wit; with perspicacious clear eyes for the world, and a very distinct knowledge that she belongs to the world, and is most at home in it.

Not only were her costumes missing, but she had no other clothing except what she wore; and it would be at least twelve hours before she could get from Paris what she needed. It was then two o'clock in the afternoon, and that very evening she must appear in the brilliant role of Celimene.

It is one of the French titles to honour that this quintessential comedy of the opposition of Alceste and Celimene was ultimately understood and applauded. In all countries the middle class presents the public which, fighting the world, and with a good footing in the fight, knows the world best. It may be the most selfish, but that is a question leading us into sophistries.

"Monsieur, you forget yourself strangely," the Duchess retorted coolly, as she laid aside her role of man and mistress, and became not merely an angel again, but a duchess, and not only a duchess, but Moliere's Celimene. The Duchesse de Maufrigneuse made a stately bow to these four personages, and drew from the Chevalier his last tear of admiration at the service of le beau sexe.

Didn't I tell you once that in Paris one must be as the Parisians? Society there drives out all sentiment; it lays en embargo on your time; and unless you are very careful, soon eats away your heart altogether. What an amazing masterpiece is the character of Celimene in Moliere's Le Misanthrope! She is the society woman, not only of Louis XIV.'s time, but of our own, and of all, time.

Trendon already up and staring moodily out at the Laughing Lass. As the night was calm the tow had made fair time toward their port in the Hawaiian group. The surgeon was muttering something which seemed to Barnett to be in a foreign tongue. "Thought out any clue, doctor?" asked the first officer. "Petit Chel Pshaw! Jolie Celimene! No," muttered Trendon. "Marie Marie I've got it!

I have heard that the Roi Candaule was originally an act of La Boule, and the Photographe seems as though it had dropped from La Vie Parisienne by mistake. In M. Meilhac's earlier five-act plays, the Vertu de Celimène and the Petit fils de Mascarille, there is great power of conception, a real grip on character, but the main action is clogged with tardy incidents, and so the momentum is lost.

With marvellous art Molière brings on the inevitable disaster. Célimène will not give up the world for the sake of Alceste; and he will take her on no other terms. And that is all. Yet, when the play ends, how much has been revealed to us!

Why will he not continue to mix with the world smoothly, appeased by the flattery of her secret and really sincere preference of him, and taking his revenge in satire of it, as she does from her own not very lofty standard, and will by and by do from his more exalted one? Celimene is worldliness: Alceste is unworldliness.

Livelier, more attractive, and gayer than ever after dismissing two or three suitors, she rushed into the festivities of the winter season, and to balls, where her keen eyes criticised the celebrities of the day, delighted in encouraging proposals which she invariably rejected. Nature had bestowed on her all the advantages needed for playing the part of Celimene.