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Updated: May 13, 2025
I have heard that the Roi Candaule was originally an act of La Boule, and the Photographe seems as though it had dropped from La Vie Parisienne by mistake. In M. Meilhac's earlier five-act plays, the Vertu de Celimène and the Petit fils de Mascarille, there is great power of conception, a real grip on character, but the main action is clogged with tardy incidents, and so the momentum is lost.
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