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So, recollecting that he still had by him a play which, although 'the third Dramatic Performance' he ever attempted, contained a character that would keep the audience's "so justly favourite Actor almost eternally before their Eyes," he decided, with characteristic impetuosity, to a change at the last moment.

There are many interesting hotels scattered about the world, with a few of which I am acquainted and with a great many of which I am not. Of course all hotels are interesting, from one point of view or another. In fact, the surest way to fix an audience's attention is to introduce your hero, or to display your opening chorus in the lobby or along the façade of a hotel.

He was a practised speaker that is to say, he held his audience's attention. Taking a wider range, he spoke of England, or rather of Great Britain, and of her continental foes. Portraits of empire-builders hung on the wall, and he pointed to them. He quoted imperial poets.

He squirmed emotionally up and down his backbone, but he affected a disdainful appearance of patience in view of the importance of his and his poppa's positions compared with the pawn-like minusculity of the audience's. The Blond Terror strode majestically down the aisle of the open air sports arena, preceded by twenty-four harem-darling dancing girls.

But if a Daily Mail reporter were sent to take down Antony's oration, he would simply wait for any expressions that struck him as odd and put them down one after another without any logical connection at all. It would turn out something like this: "Mr. Mark Antony wished for his audience's ears. He had thrice offered Cæsar a crown. Cæsar was like a deer.

They might just as well do it gracefully and at once as do it grudgingly and after more "scenes." Whereupon loud booing testified to the audience's horror of anything approaching unruly behaviour. 'Oh, yes, you are scandalized at the trouble we make. But I'll tell you a secret' she paused and collected every eye and ear 'we've only just begun!

Formica came on as Pasquarello, and sang, with the gestures most peculiarly characteristic of Capuzzi, and in his very voice, that most atrocious of all arias. The theatre resounded with the audience's most uproarious laughter. People shouted out: "Ah! Pasquale Capuzzi! Compositore Virtuoso celeberrimo! Bravo, bravissimo!" The old man, not observing the tone of the laughter, was all delight.

Then she laid it down on the ledge of the box, then took it up again, opened it, closed it, and kept it in her hand. She felt the audience almost like a weight laid upon her. Their silent attention began to frighten her. She knew that was ridiculous, that if this production did not intimately concern her the audience's silence would not strike her as strange.

What determined the duration of the affair, I cannot tell you; whether the musicians' fingers gave out, or the dancers' legs, or the official audience's patience. But at last they ceased. At the beginning of another tune, of much the same solemn character, our young visitor bowed ceremoniously to our host's daughter, and led her down the steps. "Come on, Johnny, be a sport.

The bulk of the house gazed at it with a burning interest, a mouth-watering interest, a wistful and pathetic interest; a minority of nineteen couples gazed at it tenderly, lovingly, proprietarily, and the male half of this minority kept saying over to themselves the moving little impromptu speeches of thankfulness for the audience's applause and congratulations which they were presently going to get up and deliver.