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Balzac, and later Disraeli, asked: "After all, what are the critics? Men who have failed in literature and art." And Mascagni, notwithstanding the laurels he wore after his first success, cried aloud in agony that a critic was compositore mancato. These be pleasing quotations for them whose early opus has failed to score.
Formica came on as Pasquarello, and sang, with the gestures most peculiarly characteristic of Capuzzi, and in his very voice, that most atrocious of all arias. The theatre resounded with the audience's most uproarious laughter. People shouted out: "Ah! Pasquale Capuzzi! Compositore Virtuoso celeberrimo! Bravo, bravissimo!" The old man, not observing the tone of the laughter, was all delight.
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