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Updated: June 16, 2025
Then without any appearance of haste, he walked ahead to conduct the visitor back to the Sala Clementina. The endless promenade through the interminable ante-rooms began once more, and there was still not a soul, not a sound, not a breath. In each empty room stood the one solitary lamp, burning low amidst a yet deeper silence than before.
Whereupon Leonardo, determining to execute this work, began a cartoon in the Sala del Papa, an apartment in S. Maria Novella, representing the story of Niccolò Piccinino, Captain of Duke Filippo of Milan; wherein he designed a group of horsemen who were fighting for a standard, a work that was held to be very excellent and of great mastery, by reason of the marvellous ideas that he had in composing that battle; seeing that in it rage, fury, and revenge are perceived as much in the men as in the horses, among which two with the fore-legs interlocked are fighting no less fiercely with their teeth than those who are riding them do in fighting for that standard, which has been grasped by a soldier, who seeks by the strength of his shoulders, as he spurs his horse to flight, having turned his body backwards and seized the staff of the standard, to wrest it by force from the hands of four others, of whom two are defending it, each with one hand, and, raising their swords in the other, are trying to sever the staff; while an old soldier in a red cap, crying out, grips the staff with one hand, and, raising a scimitar with the other, furiously aims a blow in order to cut off both the hands of those who, gnashing their teeth in the struggle, are striving in attitudes of the utmost fierceness to defend their banner; besides which, on the ground, between the legs of the horses, there are two figures in foreshortening that are fighting together, and the one on the ground has over him a soldier who has raised his arm as high as possible, that thus with greater force he may plunge a dagger into his throat, in order to end his life; while the other, struggling with his legs and arms, is doing what he can to escape death.
East of the fireplace a door having a wide flat ogee head leads into a small porch built in the corner of the pateo to protect the passage to the Sala das Pegas, the first of the rooms to the south of this pateo. In the angle formed by the end wall of the Sala dos Cysnes and the side of the Sala das Pegas there is a small low room now called the Sala de Dom Sebastião or do Conselho.
The son of Ravana then took up a mace and struck on the left flank that foremost of monkeys, the heroic Angada who was then staying close beside him. Angada, the powerful son of Vali, little recking that stroke, hurled at Indrajit a mighty Sala stem.
The dark face of the Señora never had inspired confidence in anybody, not even when she painted it. That morning she was exceptionally uneasy, and as she walked from one end of the sala to the other, in silence and as if meditating something terrible, her eyes shone like those of a serpent about to be crushed.
In Sala X look at the bronze situla in an isolated glass case, of such a peacock blue as only centuries could give it.
And the lawyer glanced round at the various doors, and particularly to an open one, which led from the sala to the chapel, at the farther end of the house. Fra Pacifico moved forward and closed it. "You are quite safe say what you please," he answered, bluntly. His frank nature rose involuntarily against the cunning of Guglielmi's look and manner. "We have no spies here."
Sitting about the customary table were a half-dozen or more choice spirits George Augustus Sala, Henry Sampson, Tom Hood the younger, Captain Mayne Reid, and others less known to fame. I am sorry to say my somber news affected these sinners in a way that was shocking. Their levity was a thing to shudder at.
And there in those woods abounding with Sala trees and washed by the Saraswati, they who were like so many Indras, began to sport themselves. And the illustrious king, that bull of the Kuru race, set himself to please all the Yatis and Munis and the principal Brahmanas in that forest, by offerings of excellent fruits and roots.
When Dom Manoel was making his great addition to the palace in the early years of the sixteenth century he lined the walls of the Sala dos Cysnes with tiles forming a check of green and white. These are carried up over the doors and windows, and in places have a curious cresting of green cones like Moorish battlements, and of castles.
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