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Updated: August 5, 2024


Stanhope Forbes says: "I remember finding in a house at St. Ives where I was calling, four painters of four different nationalities. In that town Zorn, the well-known Swedish artist, painted his first oil picture, which now hangs in the Luxembourg, and for it his palette was set by an equally celebrated American painter who at that time resided there."

Later Count Munster told me that he had decided to send Professor Zorn to Berlin at once in order to lay the whole matter before the Foreign Office and induce the authorities to modify the instructions. I approved this course strongly, whereupon he suggested that I should do something to the same purpose, and this finally ended in the agreement that Holls should go with Zorn.

Catholics charge Luther with having inserted a word in Rom. 4, 15, which he translates: "Das Gesetz richtet nur Zorn an," that is, The law worketh only wrath, or nothing but wrath. They object to the word "only," because in their view man can by his own natural powers make himself love the Law.

"You're a gambler, Zorn, not a suicide," Retief said. "Take what I've offered. The other idea was fancier, I agree, but it won't work." "How do I know you birds aren't lying?" Zorn snarled. He stood up, strode up and down the room. "You walk in here and tell me I'll have a task force on my neck, that the Corps won't recognize my regime. Maybe you're right. But I've got other contacts.

For these belated visionaries, whose ideal in art is to painfully imitate Giorgione, Titian, or Tiepolo, this modern, with his rude assault upon the nerves, must seem a very iconoclast. Yet Zorn only attempts to reproduce the life encircling him. He is a child of his age.

Hard, round flat stuff money? You do know that, eh? Well, Guelder and Zorn is the same thing." Somebody laughed. Lucas looked round rather helplessly. "They say," he explained, referring to the letter, "that they'll be glad to serve me." "Then you might lend me a couple of million," suggested the young man opposite, with entire disbelief. "Them Jews would never miss it."

You've got maybe ten seconds." "Nobody doublecrossed you, Zorn. Magnan put his foot in it. Too bad. Is that a reason to kill yourself and a lot of other people who've bet their lives on you?" "They gambled and lost. Tough." "Maybe you haven't lost yet if you don't quit." "Get to the point!" Retief spoke earnestly for a minute and a half. Zorn stood, gun aimed, listening.

In 1896 he published two poems, The Torrent and The Night Before; these were included the next year in a volume called The Children of the Night. His successive books of verse are Captain Craig, 1902; The Town Down the River, 1910; The Man Against the Sky, 1916; Merlin, 1917; and he has printed two plays, of which Van Zorn despite its chilling reception, is exceedingly good. Mr.

And he loves to depict the glistening curves of his big model as she stands in the sunlight, a solid reproach to physical and moral anæmia. A pagan, by Apollo! As an etcher the delicacy of his sheathed lion's paw is the principal quality that meets the eye, notwithstanding the broad execution. Etching is essentially an impressionistic art. Zorn is an impressionist among etchers.

"I felt that through the floor." Retief turned to the broad-shouldered man. "This game's all right for beginners," he said. "But I'd like to talk a really big gamble. Why don't we go to your office, Mr. Zorn?" "Your proposition interests me," Zorn said, grinding out the stump of his dope stick in a brass ashtray. "But there's some angles to this I haven't mentioned yet."

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