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I have found it used in an almost identical manner in the overture to "Gunther von Schwarzburg," by Ignaz Holzbauer, a German opera produced in Mannheim fifteen years before "Die Zauberflote" saw the light of the stage lamps. Mozart knew Holzbauer, who was a really great musician, and admired his music. Connected with the fugue theme there is a more familiar story.

I played him the concerto to-day at Cannabich's, and THOUGH KNOWN TO BE MINE it pleased very much. No one said that it was NOT WELL COMPOSED, because people here don't understand these things. Herr Kapellmeister Holzbauer went with me to-day to Count Savioli's. Cannabich was there at the time.

They both acknowledged that I was right. It is a sad pity; for she has so much genius, reads very tolerably, has great natural aptitude, and plays with great feeling. Now about the opera briefly. What surprises me most is, that so old a man as Holzbauer should still have so much spirit, for the opera is incredibly full of fire.

Happily this seems equally tedious to himself, so it does not last long; but then, what follows? only an incomprehensible scramble. I listened to him from a distance. He began a fugue, in chords of six notes, and presto. I then went up to him, for I would far rather see than hear him. There were a great many people present, and among the musicians Holzbauer, Cannabich, Toeschi, &c.

Capellmeister Holzbauer has sent a Miserere here, but as the choruses at Mannheim are weak and poor, whereas here they are strong and good, his choruses would make no effect. "Quoniam iniquitatem meam," an allegro, is the first air by me. The second an adagio, "Ecce enim in iniquitatibus." Then an allegro, "Ecce enim veritatem dilexisti" to the "ossa humiliata."

I came in while the Kyrie was going on, played the last part, and when the priest intoned the Gloria I made a cadence, so different, however, from what is usually heard here, that every one looked round in surprise, and above all Holzbauer. He said to me, "If I had known you were coming, I would have put out another mass for you." "Oh!" said I, "to puzzle me, I suppose?"

He is a fool, who fancies that no one can be better or more perfect than himself. The whole orchestra, from the first to the last, detest him. He has been the cause of much annoyance to Holzbauer. His book is more fit to teach arithmetic than composition. He says that he can make a composer in three weeks, and a singer in six months; but we have not yet seen any proof of this.

He despises the greatest masters. As I had composed the same opera in Milan, I was anxious to see it, and hearing from Holzbauer that Vogler had it, I asked him to lend it to me. "With all my heart," said he; "I will send it to you to-morrow without fail, but you won't find much talent in it."

Herr Holzbauer said to the Count in Italian that I wished to have the honor of playing before his Serene Highness the Elector.