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Updated: August 8, 2024
"Not dislike to you personally, Citizen, but dislike to the business which she connects with your visits, and she is more than usually agitated on that subject this evening, because, just before you came, another visitor had produced a great effect on her feelings poor dear Heloise!" "Indeed! how?"
The ideals uplifted in the "Nouvelle Héloïse" and the "Confessions" awakened men's minds with a great rebound to the charms of Nature, simplicity, and a social order untrammeled by rules or conventions. The eloquence with which these theories were propounded carried the French people by storm, and Rousseau was a demigod at whose shrine worshiped alike duchess and peasant.
To trace even the mechanism of an author's style through the erasures and alterations of his rough copy, is, in itself, no ordinary gratification of curiosity; and the brouillon of Rousseau's Heloise, in the library of the Chamber of Deputies at Paris, affords a study in which more than the mere "auceps syllabarum" might delight.
The satire with which Jean-Jacques describes, in his Nouvelle Héloïse, the stiff solemnity and mournful pomp of its performances has not lost much of its truth. What is lacking in the Opera to-day is the enthusiasm that accompanied its former musical struggles in the times of the "Encyclopédistes" and the "guerre des coins."
As I read your letter, a thousand times more ardent than those of the Nouvelle Heloise, it worked a miracle! I had not believed it possible that I could love you more. This evening, at Lisbeth's you will see Reine carried off this reply, the first letter the Baron had written to his "sweet friend."
This profound thought is the ruling principle in the two finest productions of an immortal genius. Emile and La Nouvelle Heloise are nothing more than two eloquent pleas for the system. The voice there raised will resound through the ages, because it points to the real motives of true legislation, and the manners which will prevail in the future.
To start the conversation, Lady Heloise asked him who he was and what was the matter with the child; also what crime he had committed and where they were taking him with such an escort. Kohlhaas doffed his leather cap to her and, continuing his occupation, made laconic but satisfactory answers to all these questions.
In Rousseau's "New Héloïse" there are the same contradictions, the same paradoxes, the same unsoundness as in his other works, but it is more eloquent than any.
He was awfully polite to Jean and Héloise, and hardly looked at me, but as I did not want to leave with him still feeling cross with me, I got the chance at last to tell him I hoped he would be happy, and to congratulate him.
She goes on to reproach him with his neglect and silence these ten years. When she pronounced her "sad vow," he had protested that his whole being was hers; that he would never live but to love Heloise. But he has proved the "unfaithful one."
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