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Updated: June 19, 2025
It is because Calvin was here sheltered, and Olympia Morata found sympathy and respect, because the author of "Jerusalem Delivered" here loved, triumphed, and despaired, and the author of the "Orlando Furioso" so assiduously labored for his orphaned family, the exacting Cardinal Ippolito, and the cause of learning, and strung a lyre which has for centuries vibrated in the popular heart and fancy, because, in a word, Ferrara contains the prison of Tasso, and the home of Ariosto, who called her "citta bene avventurosa," as did Tassoni the "gran donna del Po," that the desolate old city is revived to the imagination, with its hundred thousand people, its gay courtiers and brave knights, the romance of its feats of minstrelsy and arms whereat noble beauties and immortal bards assisted, and Art, Chivalry, Learning, Church, and State held festival with the Muses to adorn and perpetuate the transient pageant, the loveliness, and the rule, otherwise since consigned to the monotonous record of vanished pomp and arbitrary sway.
'Pump and Aldgate, says he, 'your grandfather was a bricklayer, and his hod is still kept in the bank. Your pedigree begins in a workhouse; mine can be dated from all the royal palaces of Europe. I came over with the Conqueror; I am own cousin to Charles Martel, Orlando Furioso, Philip Augustus, Peter the Cruel, and Frederick Barbarossa. I quarter the Royal Arms of Brentford in my coat.
As soon as he had sufficiently recovered from the effects of the severe castigation the female furioso had inflicted on him, he became invisible, and when the train drew up at the Brighton platform, and a couple of policemen arrived to march him on, he was nowhere to be found! This was his first experiment with the newly acquired property.
He was born at Reggio, of which place his father was governor. As the means of improving his resources, he early attached himself to the service of Cardinal D'Este, and afterwards to that of the Duke of Ferrara. At the age of thirty years he commenced his "Orlando Furioso," and continued the composition for eleven years.
Meanwhile the rest were getting up a scenic representation of Bombastes Furioso, arranging a stage, piling a lot of beds together for a theatre, and dressing up the actors in the most fantastic apparel. The impromptu Bombastes excited universal applause, and just at the end Wright ran in through the lavatory. "I say," said the little fellow, "it's jolly cold standing at the top of the stairs.
The soprani tenors, bassos, attack the allegro furioso with cries of rage, and of a dramatic 6/8 time they make it 6/8 quadrille time. Then they rush out, bellowing, "At midnight, Noiselessly, God wills it, Yes, At midnight." At this moment the audience start to their feet. Everybody is agitated in the boxes, the pit, the galleries.
This conception of mine is nowhere more demonstrable than in comparing the AEneid with Orlando Furioso; of which we see the first, by dint of wing, flying in a brave and lofty place, and always following his point: the latter, fluttering and hopping from tale to tale, as from branch to branch, not daring to trust his wings but in very short flights, and perching at every turn, lest his breath and strength should fail.
No princely house was ever glorified more highly than was the house of Este by Ariosto, for the Orlando Furioso will cause it to be remembered for all time; so long as the Italian language endures it will hold an immortal place in literature.
In 1548, Camillo Pellegrini, a Capuan nobleman, and a great admirer of Tasso's genius, published a "Dialogue on Epic Poetry," in which he placed the "Jerusalem" far above the "Orlando Furioso." This testimony from a man of literary distinction caused a great sensation among the friends and admirers of Ariosto.
The fine passage beginning, "Danger is passing, time is flying," becomes one of those rapid airs which have made Offenbach famous, when he composes a dance for conspirators. The andante amoroso, "Thou hast said it, aye, thou lovest me," becomes a real vivace furioso, and the violoncello ceases to imitate the inflections of the singer's voice, as indicated in the composer's score.
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