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He opened the piano and she sat down and looked at the music he placed there for her. He had chosen a well-known exercise, a Czerny; not a difficult one, but requiring some technique to play with precision. "Come, begin!" and she rattled off at a 6-8 allegretto, the music which was intended to be played in three-quarter andante.

She treats it in that masterly and effective manner that seems so natural to her. Then follows a liberal round of applause from orchestra and spectators. Next comes the andante movement, the most beautiful of the three. During the brief interval between the two she talks merrily with one and another, and when she is ready gives the time to the conductor.

Suddenly Andante sings a new, expressive song, with a dulcet cheer of its own, rising to passionate periods and a final height whence, Andante con duolo, a loudest chorus of high wood and strings, heralded and accompanied by martial tremolo of low wood, horns, basses, and drums, sound the fateful chant that concludes the first scene, and, toward the close of the work, sums the main idea.

'Vell, vid a bretty woman überhaupt it dosn't mean business! It's zoziety the dukes and the duchesses that ruins all the yong talents. This whispered conversation went on during the andante. With the scherzo the two hirsute faces broke into broad smiles. The artist behind each woke up, and Langham heard no more, except guttural sounds of delight and quick notes of technical criticism.

"You girls are so wonderful in always having Oh dear! one mustn't talk." For the Andante had begun very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen's mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third.

Hemans, and is fittingly hysterical; occasionally it fairly shrieks itself out. "In Autumn" is quieter; a sombre work with a fine outburst at the end. "The Journey of Life" is an andante misterioso that catches the gloom of Bryant's verse, and offers a good play for that art of interweaving voices in which Gilchrist is an adept.

Again, on a series of flights the main theme is reached and leaps once more to impassioned height. Follows a final tempest and climax of the phrase of second theme. The movement thus ends, not in joyous exultation, but in a fierce triumph of sombre minor. The Andante is purest folk-melody, and it is strange how we know this, though we do not know the special theme.

He was a slow worker, continually polishing and improving his work up to the moment that it reached the engraver's hands. "The Andante" said Wagner "is the typical German style." It was not Beethoven's best style. Essentially a man of extremes, he delighted in swinging the pendulum to its furthest limit either way.

When she had finished, Count Abel Larinski, the man with green eyes, who had entered the salon without her hearing him, approached to thank her for the pleasure he had had in listening to her; but he begged to take the liberty to tell her that she failed to properly observe the movement, and had taken an andantino for an andante.

Their strain, soft and solemn, reverts to the sublime ideas of the invocation, and mingles, nevertheless, with the joy of the heathen people. This transition combines the heavenly and the earthly in a way which genius alone could invent, giving the andante of this quintette a glow of color that I can only compare to the light thrown by Titian on his Divine Persons.