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Updated: May 5, 2025


Nekhludoff's approach interrupted the conversation; but when he had put the bag in its place, Taras sat down again, and with his strong hands folded in his lap, and looking straight into the gardener's face, continued his story. He was telling his new acquaintance about his wife and giving every detail: what she was being sent to Siberia for, and why he was now following her.

How about you do you read books?" "No!" replied Foma, briefly. "Ah!" "I don't like them." "Aha! But they might nevertheless be of some help to you," said Taras, and a smile passed across his lips. Since men cannot help me in my thoughts books can certainly do nothing for me," ejaculated Foma, morosely. He began to feel awkward and weary with this indifferent man.

When the secretary presented the agreement, and the hetman put his hand to it, Taras drew a genuine Damascene blade, a costly Turkish sabre of the finest steel, broke it in twain like a reed, and threw the two pieces far away on each side, saying, "Farewell!

"Go in!" said one of them, opening the door with one hand, and holding out the other to his comrade to receive his blows. They entered a low and dark corridor, which led them to a similar room with small windows overhead. "Who goes there?" shouted several voices, and Taras beheld a number of warriors in full armour. "We have been ordered to admit no one."

It was only when they had gone some distance that they covered themselves. All began to equip themselves: they tested their swords, poured powder from the sacks into their powder-flasks, drew up and arranged the waggons, and looked to their horses. On his way to his band, Taras wondered what had become of Andrii; could he have been captured and found while asleep with the others?

"Well, let it be fisticuffs," said Taras Bulba, turning up his sleeves. "I'll see what sort of a man you are with your fists." And father and son, in lieu of a pleasant greeting after long separation, began to deal each other heavy blows on ribs, back, and chest, now retreating and looking at each other, now attacking afresh.

Foma admired her words and listened to her just as eagerly as to her father; but whenever she started to speak of Taras with love and anguish, it seemed to him that she was hiding another man under that name, perhaps that same Yozhov, who according to her words, had to leave the university for some reason or other, and go to Moscow.

Round the neck is a band with four small figures, probably representing the nuptials of Poseidon and Saturia, daughter of Minos, from which sprang Taras, the mythical founder of Taranto. Two of the figures are seated, two standing; their draperies are gilded. The handle curves gracefully to the back of the jawbones, where it is attached to a palmette.

Nekhludoff left the carriage and went in search of an official to whom he might speak for the woman in travail and about Taras, but could not find him, nor get an answer from any of the convoy for a long time.

This book is broad enough in scope and content to serve as the foundation of Russian fiction, and to sustain the wonderful work of Turgenev, Tolstoi, and Dostoevski. All the subsequent great novels in Russia point back to "Dead Souls." No two books could possibly show a greater contrast than "Taras Bulba" and "Dead Souls."

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