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From Rudin to the young revolutionist in Virgin Soil, who makes such a mess of his propaganda among the peasantry, how many of his characters are as remarkable for their weakness as their unsuccess! Turgenev was probably conscious of this pessimism of imagination in regard to his fellow man at least, his Russian fellow man. Mr.

In Chirikov's powerful drama, "The Jews," the scene of animated discussion that takes place on the stage is a perfect picture of what is happening in hundreds of Russian towns every night. An admirable description of a typical Russian conversation is given by Turgenev, in "Virgin Soil":

Besides, it was through Turgenev that the French, and later the whole Western world, became acquainted with Russian literature; for a long time he was the only Russian novelist well known outside of his country. It was also owing largely to his personal efforts that Tolstoi's work first became known in France.

Then came the brilliant follower of Gogol, Ivan Turgenev. In him Russian literary art reached its climax, and the art of the modern novel as well. He is not only the greatest master of prose style that Russia has ever produced; he is the only Russian who has shown genius in Construction. Perhaps no novels in any language have shown the impeccable beauty of form attained in the works of Turgenev.

There are two things an English reader is in the habit of expecting when approaching a new Russian writer: first he expects much and complains when he does not get it; to be appreciated by an English reader the Russian writer must be a Turgenev or a Chekhov, short of that he is no use. Secondly in every Russian book he expects to find "ideas" and "a philosophy."

In the pages which describe his death Turgenev reaches the high-water mark of his art, his moving quality, his power, his reserve. For manly pathos they rank among the greatest scenes in literature, stronger than the death of Colonel Newcome and the best of Thackeray.

For Turgenev expressed himself in stories that must be called romances, and Stevenson employed almost always a naturalistic technique. Yet no one would ever call Turgenev a romanticist, or Stevenson a realist.

In the spring of 185- she was at Vevey, on the lovely lake of Geneva, and went into raptures when talking to an old German diplomatist about the beauties of nature, and about Calame, Stifter and Turgenev, whose "Diary of a Hunter" had just become fashionable.

But it is clear that no new writer has appeared in Russia since the death of Dostoevski in 1881 who can compare for an instant with the author of "Anna Karenina," and that the great names in Russian fiction are now, as they were forty years ago, Gogol, Turgenev, Tolstoi, and Dostoevski.

Turgenev with the instinct of genius saw through this fundamental movement in life and imaged it in living bright pictures with all its positive and negative, pathetic and humorous sides.