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Updated: June 28, 2025


I also well remember Sothern's "Lord Dundreary," and a play called "The Duke's Motto," which was based on Paul Feval's novel, "Le Bossu." I frequently witnessed the entertainments given by the German Reeds, Corney Grain, and Woodin, the clever quick-change artist.

But Miss Marlowe is not only lovely and pathetic as Juliet; she is Juliet. I would not say that Mr. Sothern's Hamlet is the only Hamlet, for there are still, no doubt, "points in Hamlet's soul unseized by the Germans yet." Yet what a Hamlet! How majestical, how simple, how much a poet and a gentleman! To what depth he suffers!

Something not quite shyness but akin to it was upon them both; it was a relief when the telephone of Sothern's desk rang. It was Marc Lemarc asking for Drennen. He had hired men, bought tools and dynamite, ordered machinery from the nearest city where machinery was to be had, had spoken to a competent engineer about taking charge of the work to be done.

An actor without mannerisms, like the late Adolf von Sonnenthal, is able to make a more immediate appeal. At the first night of Mr. E.H. Sothern's Hamlet, in the fall of 1900, I had just settled back in my chair to listen to the reading of the soliloquy on suicide, when a woman behind me whispered to her neighbor, "Oh look! There are two fireplaces in the room!"

Marshall Sothern's shaggy brows lowered a bit; Madden and Hasbrook had looked from Drennen to each other and to him; he alone kept his eyes hard upon the man making his way with unsteady stubbornness up the street. When a man stood in his way Drennen thrust out his arm, pushing him aside. His eyes grew ever the more terrible with the madness of the rage upon him, bloodshot and menacing.

The decorative Juliet of the stage we know, the lovely picture, the ingenue, the prattler of pretty phrases; but this mysterious, tragic child, whom love has made wise in making her a woman, is unknown to us outside Shakespeare, and perhaps even there. Mr. Sothern's Romeo has an exquisite passion, young and extravagant as a lover's, and is alive.

Sothern ministered to him day and night, letting no one in, having his own meals sent here, sitting by the bunk or at the doorstep, smoking. When a passer-by asked, "How's he gettin' along?" Sothern's answer was always the same: "Slowly." Drennen had been through much privation and hardship before his discovery, severe bodily punishment and fatigue thereafter.

Sothern's hands, etc., before he began his experiments. Having thoroughly washed the parts that he proposed to subject to the flames, Mr. Sothern began by burning his arm, and passing it through the gas-jet very slowly, twice stopping the motion and holding it still in the flames. He then picked up a poker with a sort of hook on the end, and proceeded to fish a small coil of wire from the grate.

"That's not all of the evidence you've got that John Harper Drennen is alive, is it?" Sothern's voice asked quietly. "Lord, no. That's not evidence at all. In fact, there isn't any evidence; there's just a tip. There came a letter to the Chief in Montreal. I got a copy of it. It said merely: 'John Harper Drennen, wanted for embezzlement in New York, is in hiding in the North Woods country.

Ygerne Bellaire, while she and Marshall Sothern had nursed David Drennen, had seen hourly all of the courtly, knightly gentleness and tenderness which was one side of the old man. Now she came swiftly to the edge of the bearskin. She, too, went down upon her knees at Sothern's side, just opposite Drennen. Her hands did not tremble as they grew red with the spurting blood.

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