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Updated: May 19, 2025


All that Christina could be sure of was that the old Nicholas Snyders had mysteriously vanished, that in his place remained a new Nicholas, who looked at her with kindly eyes frank and honest, compelling confidence. Though Nicholas never said so, it came to Christina that she herself, her sweet example, her ennobling influence it was that had wrought this wondrous change.

With the death of Rubens the year before, Flemish painting had suffered another eclipse; and though Snyders lived till 1657, and Jordaens and the younger Teniers continued till late in the century, no fresh seedlings appeared, and the soil again became barren. Rubens and Van Dyck were both too big for the little garden their growth overspread Europe. Frans Hals

"You will lose that feeling as soon as you step on the stage. The manager's wife gave me a letter for you. Her maid is at the Astor with everything you need. She is entirely at your disposal." "Our Petronilla is a jewel, too," Willy Snyders interjected. "If you tell her what you need, Miss Hahlström, she'll have it for you in five minutes."

Nicholas Snyders neither moved nor spoke, until with the soft clanging of the massive door his senses returned to him. Then, seizing the flask the stranger had left behind him, he sprang from his chair, meaning to fling it after him into the street. But the flashing of the firelight on its burnished surface stayed his hand.

When they gathered in Miss Burns's room beside Frederick, there were Ritter, Lobkowitz, Willy Snyders, Miss Burns, and the gypsy-like painter Franck, who carried a portfolio and sketching material there was a certain solemnity in their manner. It was a clear day and the streets were dry, and they decided to walk to the theatre.

When Willy Snyders came in, as he usually did on his way from his work to luncheon for the purpose of saying "how-do-you-do" to Bonifacius Ritter and art, it seemed to Frederick that he had been awakened from a dream and called back to a strange life. "I am sorry to have to leave work and go to lunch. Lunch is really a very disturbing thing," he confessed.

The sweet oval of her lovely face was not so much that of a Madonna as of a real German Gretchen. "Willy Snyders told me," Ritter explained, "that he bought it from a rascal of a New York customs official, a man of German extraction, whose father had been a cabinet-maker in Ochsenfurt. The figure comes from the town-hall there and had been taken to the cabinet-maker for repair.

But instead the stranger took a chair and drew it nearer, and, himself in shadow, looked straight into Nicholas Snyders' face and laughed. "Are you quite sure, Nicholas Snyders? Are you quite sure there is nothing you require?" "Nothing," growled Nicholas Snyders "except the sight of your back."

There they were safe, for none could approach them save by going past the ranch, or coming through Lodore Canyon. Mr. Chew also told us of the Snyders, who had lost their boat in upper Lodore Canyon, and of how he had given them a horse and provisions to aid them in reaching the settlements. This did not prevent the elder Snyder from coming back to trap the next year, much to Mr. Chew's disgust.

But I think it rather selfish to wish you here, for what pleasure could pacing from one dull church to another, afford a person of your turn? I don't believe you would catch a taste for blubbering Magdalens and coarse Madonnas, by lolling in Rubens' chair; nor do I believe a view of the Ostades and Snyders, so liberally scattered in every collection, would greatly improve your pencil.

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