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Updated: May 14, 2025


Tabarin's wits were not exhausted by this kind of buffoonery. He issued comic proclamations and almanacs, and even produced short farces in which his wife performed with him. From one of these farces Molière is supposed to have borrowed the ideas for his sack-scene in the Fourberies de Scapin.

Somebody will let us have his barn for our theatre, and Scapin shall go round the town beating the drum, and announcing our programme, adding this important clause, that all those who cannot pay for their places in money may do so in provisions. A fowl, a ham, or a jug of wine, will secure a seat in the first row; a pair of pigeons, a dozen eggs, or a loaf of bread, in the second, and so on down.

If a man hangs roun' a saloon an' wastes his time an' money, he's boun' to git seedy an' ragged an' a bad name, an' his fam'ly gets po' an' mis'ble; dat's another kin' ob law no 'scapin' it. He's jest as sure ter run down hill as de water. Den if we git a cut or a burn or a bruise we hab pain; dat's anuder kin' ob law, an' we all know it's true.

You, like the king who, among all his titles, has now none so proud as that of the friend of Moliere you found your dominions small, humble, and distracted; you raised them to the dignity of an empire: what Louis XIV. did for France you achieved for French comedy; and the ba'ton of Scapin still wields its sway though the sword of Louis was broken at Blenheim.

Leonarde, the duenna of the troupe, sat beside the pedant, Leander, Matamore, his majesty the tyrant, and Scapin finding places for themselves. The youthful host was now able to study the faces of his guests at his ease, as they sat round the table in the full light of the candles burning upon it in the two theatrical candelabra.

As the poor fellow crept cautiously and painfully along the corridor leading to his room and to those of the other members of the troupe he had the misfortune to be detected by Scapin, who, evidently on the watch for him, was peeping out of his own half-open door, grinning, grimacing, and gesticulating significantly, as he noted the other's limping gait and drooping figure.

Come, Captain Fracasse, Leander, and Scapin, you three being the youngest, and also the fleetest of foot, off with you. Run like greyhounds, and bring us succour as speedily as may be. Blazius and I will meantime do duty as guardians of the chariot and its contents."

The grateful poet has destined the principal role for Jocquelet, who has made a successful debut in the 'Fourberies de Scapin', and who, since then, has won success after success. Jocquelet, like all comic actors, aspires to play also in drama.

Herode went to his head, and took hold of the bridle with his strong hand to lead him and try to help him along, while the pedant, de Sigognac, and Scapin put their shoulders to the wheels at every inequality in the road and whenever he paused or stumbled badly, and Leander cracked the whip loudly to encourage the poor beast; it would have been downright cruelty to strike him.

It is also disgustingly improbable that Zerbinette, who as a gipsy ought to have known how to conceal knavish tricks, should run out into the street and tell the first stranger that she meets, who happens to be none other than Geronte himself, the deceit practised upon him by Scapin.

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