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Updated: June 20, 2025
The bitter vexation of Filippo, the despair into which he fell, when he heard what the wardens had done, may be understood by the fact that he was on the point of flying from Florence; and had it not been that Donato and Luca della Robbia comforted and encouraged him, he would have gone out of his senses.
The April freshness of Giotto, the piety of Fra Angelico, the virginal purity of the young Raphael, the sweet gravity of John Bellini, the philosophic depth of Da Vinci, the sublime elevation of Michael Angelo, the suavity of Fra Bartolommeo, the delicacy of the Della Robbia, the restrained fervor of Rosellini, the rapture of the Sienese and the reverence of the Umbrian masters, Francia's pathos, Mantegna's dignity, and Luini's divine simplicity, were qualities which belonged not only to these artists but also to the people of Italy from whom they sprang.
In addition to the beautiful della Robbia altar-piece, so happy and holy which Alfred Branconi boldly calls Luca there is over the door Christ between two angels, a lovely example of the same art. For a subtler, more modern and less religious mind, we have but to turn to the tabernacle by Mino, every inch of which is exquisite. On the same wall is a curious thing.
There the many photographs from the Italian primitives, the many gracious Donatello and Delia Robbia bas-reliefs, expressed something of Imogen, too, though Jack always felt that Imogen's esthetic; side expressed what was not very essential in her. While he waited now, he had paused at last before two portraits. He had often so paused while waiting for Imogen. To-night it was with a new curiosity.
Matteo Civitale, Benedetto da Majano, Mino da Fiesole, Luca della Robbia, Donatello, Jacopo della Quercia, Lo Scalza, Omodeo, and the Sansovini, not to mention less illustrious sculptors, filled the churches of Italy with this elaborate stone-work.
His father had given him his observatory at Monte Della Robbia, but nothing else of importance. His invention was beginning to bring him in a little, but it would never make a fortune; and he was not one who could afford a "flutter" at Monte Carlo without counting the cost.
The fountain has been thought out in longing for water, and every detail of it has been touched by the memory thereof. Water! they wanted water, and they should have it. By a coincidence almost, Giovanni della Robbia has revealed the secret which himself most probably never guessed, in the little landscape of lilac and bluish tiles with which he filled up the arch behind the taps.
The monks at food in this small refectory had compensation for their silence in so engaging a scene. This room also contains a beautiful della Robbia "Deposition". The little refectory, which is at the foot of the stairs leading to the cells, opens on the second cloisters, and these few visitors ever enter.
Upon a high mahogany chest of drawers, with its polished brass trimmings and little swinging looking-glass, stood a white and gold porcelain vase filled with asters purple, white and pink while before it, in a deep arm-chair, a little girl of ten or eleven years, with a face like a Luca della Robbia chorister, or like one of the children of sunny Italy that served for old Luca's model, was curled up, stroking a large white cat which lay purring in her lap.
It is, however, in a room on the first floor that you will find the great organ lofts, one by Donatello and the other by Luca della Robbia, which I suppose are among the best known works of art in the world. Made for the Cathedral, these galleries for singers seem to be imprisoned in a museum.
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