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Updated: June 20, 2025
There are two other empty niches, one inscribed Tempora labuntur more fluentis aquae, and the other Vivite victuri moneo mors omnibus instat. These niches stand between four medallions of della Robbia ware, some eighteen inches across. Two are heads of men and two of women, only one of each being glazed.
How great were the despair and the bitterness of Filippo, on hearing what the Wardens had done, may be seen from this, that he was minded to fly from Florence; and if it had not been for Donato and Luca della Robbia, who comforted him, he would have lost his reason.
The reviver or re-discoverer of the art of enamelling in Italy was Luca della Robbia, a Florentine sculptor. Vasari describes him as a man of indefatigable perseverance, working with his chisel all day and practising drawing during the greater part of the night.
The commission was then given to Michelozzo, Donatello's partner, and to Luca della Robbia, but it seems likely that Luca did nearly all. The doors are in very high relief, thus differing absolutely from Donatello's at S. Lorenzo, which are in very low.
The work of Luca Della Robbia will not be treated as sculpture in this book. Luca Della Robbia is a worker in plastic art, while Adam Kraft, hewing directly at the stone, is a sculptor.
Opposite the church, on a house at the corner of the Borgo S. Croce and the Via de' Macci, is a della Robbia saint one of many such mural works of art in Florence. Thus, at the corner of the Via Cavour and the Via de' Pucci, opposite the Riccardi palace, is a beautiful Madonna and Child by Donatello.
But, having a shrewd knowledge of human nature and immense patience, he did not hasten to urge upon the authorities his claims as the heaven-born architect, but contented himself with smaller works, and even assisted his rival Ghiberti with his gates, joining at that task Donatello and Luca della Robbia, and giving lessons in perspective to a youth who was to do more than any man after Giotto to assure the great days of painting and become the exemplar of the finest masters Masaccio.
In literature, this movement took the form of humanism; in architecture and sculpture, it exhibited itself in the persons of Alberti, Ghiberti, Della Robbia, and Donatello; in painting, it showed itself in Lippi, Botticelli, Ghirlandajo, and Verrocchio....
For the most part they carry ambulances to the scenes of accident and perform the last offices for the dead in the poorer districts. When on duty they wear black robes and hoods. Their headquarters comprise a chapel, with an altar by Andrea della Robbia, and a statue of the patron saint of the Misericordia, S. Sebastian.
We had luncheon in the Della Robbia room at the Vanderbilt and I was digging the marrons out of a Nesselrode when, presto, it suddenly came over me that the baroness was right and that I could never marry a foreigner. It came like a thunderclap.
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