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Updated: June 3, 2025


"They were young people; young people could do anything," she dimly thought; and putting the white polonaise into the structure of the House that Jack built, she interrupted herself no farther than presently to ring her bell again, and tell the maid on no account to admit any one to see herself, and to be sure that there were plenty of raspberries brought in for tea.

When the number of royal guests is very large this dance sometimes lasts nearly two hours. On ordinary cases, of course, the torches are dispensed with, and the polonaise only continues long enough to enable the emperor and empress to march once round, the hall with those guests whom they wish particularly to honor.

So hungry was I to find new musical works that when I was eight and a half years old I could play from memory such pieces as the B flat minor Scherzo, the A flat major Polonaise, and most of the Valses and Études of Chopin. I also played the Sixth Rhapsody of Liszt and the C minor Concerto of Beethoven.

The first dance, the graceful march of the German polonaise, was danced by all, young and old, the bands striking up simultaneously, and the dance extending through the whole of the State apartments, the Queen leading the way, preceded by the Vice- Chamberlain, the Comptroller and Treasurer of the Household, and two gentlemen ushers to clear a space for her.

I put on my clothes, suspended my botanical case, in which I rejoiced still to find my northern lichens, round my black polonaise, drew on my boots, laid the written paper on my bed, and, as the door opened, I was already far on the way to the Thebais. As I took the way along the Syrian coast, on which I for the last time had wandered from home, I perceived my poor Figaro coming toward me.

Swann on foot, in a 'polonaise' of plain cloth, a little toque on her head trimmed with a pheasant's wing, a bunch of violets in her bosom, hastening along the Allee des Acacias as if it had been merely the shortest way back to her own house, and acknowledging with a rapid glance the courtesy of the gentlemen in carriages, who, recognising her figure at a distance, were raising their hats to her and saying to one another that there was never anyone so well turned out as she.

She finished dressing and went downstairs. It was nearly eight, and Fiorsen had not come in. When the gong was struck, she turned from the window with a sigh, and went in to dinner. That sigh had been relief. She ate her dinner with the two pups beside her, sent them off, and sat down at her piano. She played Chopin studies, waltzes, mazurkas, preludes, a polonaise or two.

The polonaise breathes and paints the whole national character; the music of this dance, while admitting much art, combines something martial with a sweetness marked by the simplicity of manners of an agricultural people.

Notwithstanding such later creations as the fourth "Ballade," Op. 52, the "Barcarolle," Op. 60, and the "Polonaise," Op. 53, it can hardly be said that the composer surpassed in his subsequent works those which he had published in recent years, works among which were the first three ballades, the preludes, and a number of stirring polonaises and charming nocturnes, mazurkas, and other pieces.

I laid aside my cigar, approached the piano, and sat down. I struck a few chords and found the instrument to be in remarkably good order. I played a Chopin Polonaise, I tinkled Grieg's Papillon, then I ceased. "That is to pay for my supper," I explained. Next I played Le Courier, and when I had finished that I turned again, rising. "That is to pay for my horse's supper," I said.

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