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Updated: June 20, 2025


He also wrote Epigrams in Latin, and Observations on the Arte of Poesie . He composed the music for most of his songs. Statesman, was b. in London, the s. of a lawyer. He lost his f. while still an infant, and was brought up by an uncle, who sent him to Eton and Oxf. In 1793 he entered Parliament as a supporter of Pitt, and soon became one of the most brilliant debaters in the House.

"No," he conceded, "not while the poetry remains," and Smith, on her other hand, said: "Not while this cluster of shops beneath us is kept by those who now keep them." "My faith!" the hostess broke in, "to real souls 'tis they are the wonder and the poésie and the jewels! Ask Aline!" "Ask me," Chester said, as if for mademoiselle's rescue; "I discovered them only last week."

He says: Poesie is a part of Learning in measure of words for the most part restrained, but in all other points extremely licensed, and doth truly referre to the Imagination, which, beeing not tyed to the Lawes of Matter, may at pleasure joyne that which Nature hath severed, & sever that which Nature hath joyned, and so make all unlawful Matches & divorses of things: It is taken in two senses in respect of Wordes or Matter.

He was a poet, and the glowing hues of poesie invested every emotion of his mind. He loved deeply, devotedly; and love, pure, faithful, hopeful love, appeared to have increased every feeling, whether of grief of joy, in intensity and depth.

La poésie britannique nous révéla le doute incarné sous la figure de Byron; puis la littérature allemande, quoique plus mystique, nous conduisit au même résultat par un sentiment de rêverie plus profond. The day of recollection has not yet come.

And 'a propos' of the latter, I shall point out a book, which I believe will give you some pleasure; at least it gave me a great deal. I never read it before. It is 'Reflexions sur la Poesie et la Peinture, par l'Abbee de Bos', in two octavo volumes; and is, I suppose, to be had at every great town in France. The criticisms and the reflections are just and lively.

When Sir Philip Sidney, that "verray parfit gentil knight," scholar, soldier, and statesman, if the unanimous appraisement of the best of his contemporaries is worth anything, wrote his Defence of Poesie, he had not indeed broken free from the trammels of academic theory; but it is a very often acute and always charming piece of critical work in scholarly and graceful language.

His "Essay of Dramatic Poesie" is good reading as illustrative of the weakness of our literature in the days of the influence of France after the Restoration. The essays on Satire and on Epic Poetry represent also the influence of the French critical school, but represent it in a larger way, with indications of its strength as well as of its weakness.

The University Two Schools Wits, as men of learning were called, generally of Drama upheld the classical ideal, and ridiculed the crude-ness of the new English plays. Sackville and Norton were of this class, and "Gorboduc" was classic in its construction. In the "Defense of Poesie" Sidney upholds the classics and ridicules the too ambitious scope of the English drama.

"L'invention nest-elle pas la poesie de la science? . . . Toutes les grandes decouvertes portent avec elles la trace ineffacable d'une pensee poetique. Il faut etre poete pour creer.

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