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If you read, Monsieur Marin, you shall see la vraie poésie! Not de big book and no single rhyme Sair, I do not vish to say vat is penible, mais it is not one book widout rhyme; it was not écrit on de sea. Le diable! que le vrai génie, et les nobles sentiments, se trouvent dans ce livre, la!" "Ay, I see it is a log-book, for every man to note his mind in.

"Even so, sweet sister, learning dearer lore and lovelier tales than even Provence could instil; 'tis not the land, it is the heart where poesie dwells," rejoined Nigel Bruce, gayly, advancing from the side of Agnes, where he had been lingering the greater part of the dialogue between his sister and the countess, and now joined them.

That is, poetry represents the world as greater, more just, and more pleasant than it really is. "So as it appeareth that Poesie serveth and conferreth to Magnanimitie, Moralitie, and to delectation." Here Bacon seems to imply that the essential pleasure of poetry is in affording vicarious experience through imaginative realization.

This is that in those painted poesie of the earlier Venetian art of which the germs are to be found in Giovanni Bellini and Cima, but the flower is identified with Giorgione, Titian surrendered himself to the overmastering influence of the latter with less reservation of his own individuality than in his sacred works.

Dryden followed his example in his Essay of Dramatic Poesie , in which he treated of the unities, and argued for the use of rime in tragedy in preference to blank verse. His own practice varied. Most of his tragedies were written in rime, but in the best of them, All for Love, founded on Shakspere's Antony and Cleopatra, he returned to blank verse.

S. has always been considered as the type of English chivalry; and his extraordinary contemporary reputation rested on his personal qualities of nobility and generosity. His writings consist of his famous pastoral romance of Arcadia, his sonnets Astrophel and Stella, and his Apologie for Poetrie, afterwards called Defence of Poesie.

And 'a propos' of the latter, I shall point out a book, which I believe will give you some pleasure; at least it gave me a great deal. I never read it before. It is 'Reflexions sur la Poesie et la Peinture, par l'Abbee de Bos', in two octavo volumes; and is, I suppose, to be had at every great town in France. The criticisms and the reflections are just and lively.

I must confess I am obliged to you for the Taste of many of their Excellencies, which I had not observed till you pointed them to me. I am very proud that there are some things in these Papers which I know you pardon, and it is no small Pleasure to have one's Labours suffered by the Judgment of a Man who so well understands the true Charms of Eloquence and Poesie.

With this was mixed the desire to taste a more exquisite and various music than that of the older French verse, or of the classical poets. The music of the measured, scanned verse of Latin and Greek poetry is one thing; the music of the rhymed, unscanned verse of Villon and the old French poets, la poesie chantee, is another.

The "Essay of Dramatic Poesie" is interesting as a setting forth in 1667 of mistaken critical opinions which were at that time in the ascendant, but had not very long to live. Dryden always wrote good masculine prose, and all his critical essays are good reading as pieces of English.