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Updated: May 11, 2025


You will need light slippers, pink or white, if you have them, will do quite as well." Thea went upstairs with the maid and Mrs. Nathanmeyer rose, took Ottenburg's arm, and walked toward her husband. "That's the first real voice I have heard in Chicago," she said decidedly. "I don't count that stupid Priest woman. What do you say, father?" Mr.

They want to be the animating force. When they are not around, they want a girl to be extinct," he waved his hand. "Old fellows like Mr. Nathanmeyer understand your kind; but among the young ones, you are rather lucky to have found me. Even I wasn't always so wise. I've had my time of thinking it would not bore me to be the Apollo of a homey flat, and I've paid out a trifle to learn better.

Their three unmarried daughters had departed in successive carriages, one to a dinner, one to a Nietszche club, one to a ball given for the girls employed in the big department stores. When Ottenburg and Thea entered, Henry Nathanmeyer and his wife were sitting at a table at the farther end of the long room, with a reading-lamp and a tray of cigarettes and cordial-glasses between them.

She had a cold during the first week, and after she got through her church duties on Sunday she had to go to bed with tonsilitis. She was still in the boarding-house at which young Ottenburg had called when he took her to see Mrs. Nathanmeyer. She had stayed on there because her room, although it was inconvenient and very small, was at the corner of the house and got the sunlight.

She could not believe it was written by the same man who wrote the novel that had thrilled her. Her cot was beside the south window, and on Wednesday afternoon she lay thinking about the Harsanyis, about old Mr. Nathanmeyer, and about how she was missing Fred Ottenburg's visits to the studio. That was much the worst thing about being sick.

All the other people go to hear Jessie Darcey sing, 'O, Promise Me! The Nathanmeyers are the finest kind of Jews. If you do anything for Mrs. Henry Nathanmeyer, you must put yourself into her hands. Whatever she says about music, about clothes, about life, will be correct. And you may feel at ease with her. She expects nothing of people; she has lived in Chicago twenty years.

Nathanmeyer had come to the door and was sitting back in the shadow, just inside the library, applauding with his cane. Thea threw him a bright smile. He continued to sit there, his slippered foot on a low chair, his cane between his fingers, and she glanced at him from time to time. The doorway made a frame for him, and he looked like a man in a picture, with the long, shadowy room behind him.

He noticed that she stood easily, looked straight down into his face, and was not embarrassed. Even when Mrs. Nathanmeyer told Ottenburg to bring a chair for Thea, the old man did not release her hand, and she did not sit down. He admired her just as she was, as she happened to be standing, and she felt it. He was much handsomer than his wife, Thea thought.

Where did you get that slang?" "That happens to be very old slang, my dear. Older than Moonstone or the sovereign State of Colorado. Our old friend Mr. Nathanmeyer could tell us why it happens to hit you." He leaned forward and touched Thea's wrist, "See that fur coat just coming in, Thea. It's D'Albert. He's just back from his Western tour. Fine head, hasn't he?" "To go back," said Dr.

But once they were in the library he seemed perfectly satisfied with her and led her down the long room to their hostess. Mrs. Nathanmeyer was a heavy, powerful old Jewess, with a great pompadour of white hair, a swarthy complexion, an eagle nose, and sharp, glittering eyes. She wore a black velvet dress with a long train, and a diamond necklace and earrings.

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