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Updated: May 24, 2025
Prince Castel-Forte and the rest of his countrymen present, were extremely impatient to refute the Count d'Erfeuil; but as they were little ambitious of shining in conversation and believed their cause would be more ably defended by Corinne, they besought her to reply, contenting themselves with barely citing the celebrated names of Maffei, Metastasio, Goldoni, Alfieri, and Monti.
"In the first place," said Corinne, "strangers are for the most part acquainted only with our poets of the first rank Dante, Petrarch, Ariosto, Guarini, Tasso, and Metastasio; whilst we have several others, such as Chiabrera, Guidi, Filicaja, Parini, without reckoning Sannazarius, Politian, &c., who have written in Latin, with as much taste as genius; and all unite in their verses the utmost beauty of colouring and harmony; all, with more or less talent, adorn the wonders of nature and art with the imagery of speech.
It appears to me undeniable, that a certain melting softness in the sentiments, and the expression of them, rendered Metastasio the delight of his contemporaries.
Nay, even when, some few months later, there died at Vienna the old Abate Metastasio, and his death brought home to a rather forgetful world what a poet and what a dramatist that old Metastasio had been; even then, an intimate friend of the dead man, a worldly priest, a quasi prelate, the Abate Taruffi, could find no better winding up for the funeral oration, delivered before all the pedants and prigs and fops and spies of pontifical Rome assembled in the rooms of the Arcadian academy, than to point to Count Vittorio Alfieri, and prophesy that Metastasio had found a successor greater than himself.
After summing up the judgments of the critics who were severe on Caffarelli's faults, that his voice was "false, screaming, and disobedient," that his singing was full of "antique and stale flourishes," that "in his recitative he was an old nun," and that in all that he sang there was "a whimsical tone of lamentation sufficient to sour the gayest allegro," Metastasio says that in his happy moments he could please excessively, but the caprices of his voice and temper made these happy moments very uncertain.
Her coldness towards literary men may in, some degree be accounted for by the disgust which she took at the calumnies and caricatures resulting from her mother's partiality for her own revered teacher, the great Metastasio.
The beseeching tones of Orpheus, and the inexorable "No!" of the furies, made every listener tremble. Even Hasse, overcome by the sublimity of the music, bowed his head with the rest; and Metastasio, enraptured with the words, murmured, "Ah, che poesia divina!" Murmurs of applause were heard from every side of the theatre; they grew with every scene, and at last burst forth in wild shouts.
Her teacher of Italian, the Abbé Metastasio, was the only one who was faithful in his duties, and Maria made very great proficiency in that language. French being the language of the nursery, Maria necessarily acquired the power of speaking it with great fluency, though she was quite unable to write it correctly.
I was still more surprised, and took the liberty of asking her name, and found her to be the famous "Shepherdess," Maria Fortuna, of the Academy of Arcadians. I had read the beautiful stanzas she had written in praise of Metastasio. I told her so, and she brought me the poet's reply in manuscript. Full of admiration, I addressed myself to her alone, and all her plainness vanished.
How could they have imagined that a writer 'a rouet' could be a man of genius? And D'Alembert, would he have attained his high fame, his universal reputation, if he had been satisfied with his name of M. Le Rond, or Mr. Allround? What would have become of Metastasio under his true name of Trapasso? What impression would Melanchthon have made with his name of Schwarzerd?
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