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Updated: May 19, 2025
Thus loved and honoured, his younger years were dedicated to pleasure and the court. By the recommendation of the Dutchess Blanch, he married one Philippa Rouet, sister to the guardianess of her grace's children, who was a native of Hainault: He was then about thirty years of age, and being fixed by marriage, the king began to employ him in more public and advantageous posts.
A modern ballad, quoted by E. Buret, sings the solitude of monopoly: Le rouet est silencieux dans la vallee: C'en est fait des sentiments de famille. Sur un peu de fumee le vieil aieul Etend ses mains pales; et le foyer vide Est aussi desole que son coeur. The spinning-wheel is silent in the valley: family feelings are at an end.
The lady whom he now married was of a comparatively humble station in life. She was the daughter of a foreign knight. Her name, originally, was Catharine de Rouet. She had been, in her early life, a maiden in attendance on the Duchess of Lancaster, the duke's second wife. While she was in his family the duke formed a guilty intimacy with her, which was continued for a long time.
How could they have imagined that a writer 'a rouet' could be a man of genius? And D'Alembert, would he have attained his high fame, his universal reputation, if he had been satisfied with his name of M. Le Rond, or Mr. Allround? What would have become of Metastasio under his true name of Trapasso? What impression would Melanchthon have made with his name of Schwarzerd?
How could they have imagined that a writer 'a rouet' could be a man of genius? And D'Alembert, would he have attained his high fame, his universal reputation, if he had been satisfied with his name of M. Le Rond, or Mr. Allround? What would have become of Metastasio under his true name of Trapasso? What impression would Melanchthon have made with his name of Schwarzerd?
"Mademoiselle du Rouet, send for the captain of the guard," said Mary Stuart to the maid of honor, contrary to all etiquette, which was necessarily violated under the circumstances. While the young queen gave this order, Catherine looked intently at Christophe, as if saying to him, "Courage!"
I had not yet felt the charm of his personal fascination, I had neither heard nor seen him, and I did not owe him anything at all, when my interest was gripped in reading his first symphonic poems; and when later they pointed the way which was to lead to La Danse macabre, Le Rouet d'Omphale, and other works of the same nature, I am sure that my judgment was not biassed by any prejudice in his favour, and that I alone was responsible for what I did."
The illustration at fig. 4 shows a simple little instrument for making a twisted cord. It is interesting to note that Etienne Binet, who wrote on embroidery about 1620, when discussing some necessary equipment for an embroideress mentions "un rouet pour faire les cordons."
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