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Updated: May 24, 2025


The unities of both place and time have been uniformly observed by Alfieri; the latter only could be respected by Metastasio, as change of scene is necessary to the opera poet. Alfieri affords in general no food for the eyes.

"We must try to forestall all these prejudices, and win the critics to the side of truth and real art," said Marianne. "The signora is right," said Calzabigi. "It is not so much for our own sake, as for the sake of art, that we should strive to have a fair hearing before the world. We have the powerful party of Metastasio and Hasse to gain. But I will deal with them myself.

Her somewhat ostentatious piety provoked the following scandalous anecdote: She was observed reading a prayer from her missal prior to going before the audience one night, and some one, taking the book from the attendant, found it to be a copy of Metastasio. This story is probably apocryphal, however, like many of the most amusing incidents related of artists and authors.

Nothing can be said in favour of Hayley's attempt, but that it is better than Boyd's. His mind was a tolerable specimen of filigree work, rather elegant, and very feeble. All that can be said for his best works is that they are neat. All that can be said against his worst is that they are stupid. He might have translated Metastasio tolerably. But he was utterly unable to do justice to the

As I returned to the inn after a short walk, mine host handed me the bill of the play announcing four performances of the Didone of Metastasio at the Spada. Seeing no acquaintance of mine among the actors or actresses, I made up my mind to go to the play in the evening, and to start early the next day with post-horses.

Of Italian, he had not enough to read a page of Metastasio with ease; and of the Spanish and English, he did not, as far as we are aware, understand a single word. As the highest human compositions to which he had access were those of the French writers, it is not strange that his admiration for those writers should have been unbounded.

From his great disinclination to pursue the same path with Metastasio, he naturally fell into the opposite extreme: I might not unaptly call him a Metastasio reversed. If the muse of the latter he a love-sick nymph, Alfieri's muse is an Amazon.

What a dishonour to the memory of the great Metastasio, a man free from all vices, adorned with all virtues, and of the most singular ability. Casti had neither a fine style, nor a knowledge of dramatic requirements, as appears from two or three comic operas composed by him, in which the reader will find nothing but foolish buffooneries badly put together.

Whenever APOSTOLO ZENO, the predecessor of Metastasio, prepared himself to compose a new drama, he used to say to himself, "Apostolo! recordati che questa è la prima opera che dai in luce." "Apostolo! remember that this is the first opera you are presenting to the public."

Metastasio seldom has choruses, and his airs are almost always for a single voice: with these the scenes uniformly close, and with them the singer never fails to make his exit.

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