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Updated: May 13, 2025


If you will observe a child just able to walk, you will see that his first idea is not to dress up as anybody—but to dress up. Afterwards, of course, the idea of being the King or Uncle William will leap to his lips. But it is generally suggested by the hat he has already let fall over his nose, from far deeper motives.

But though I am a bit of a revolutionist myself, I cannot quite go with you in the extreme violence you suggest. You say—" "I say," he cried, bursting through my speech with a really splendid energy like that of some noble beast, "I say I'd take all these blasted miners and—" I had risen slowly to my feet, for I was profoundly moved; and I stood staring at that mental monster.

Now our modern discussions about everything, Imperialism, Socialism, or Votes for Women, are all entangled in an opposite train of thought, which runs as follows:—A modern intellectual comes in and sees a poker. He is a positivist; he will not begin with any dogmas about the nature of man, or any day-dreams about the mystery of fire.

His eyes had that "dancing madness" in them which Stevenson saw in the Gaelic eyes of Alan Breck; but he sometimes distorted the expression by screwing a monstrous monocle into one of them. A man more unmistakable would have been hard to find. You could have picked him out in any crowd—so long as you had not seen his photograph.

A man who really thinks that strikers have suffered no wrong, or that employers have done no wrong—such a man is not a Gloomy Dean, but a quite wildly and dangerously happy Dean. A man who can feel satisfied with modern industrialism must be a man with a mysterious fountain of high spirits.

If I count it Christian mercy to give a cup of cold water to a sufferer, shall I complain of these multitudinous cups of cold water handed round to all living things; a cup of water for every shrub; a cup of water for every weed? I would be ashamed to grumble at it. As Sir Philip Sidney said, their need is greater than mine—especially for water.

But this incident, touching as it is, does not shake my belief in the incident of Robert Burns and the daisy; and I am left with an impression that poets are pretty much the same everywhere in their poetry—and in their prose.

The poet in the attic does not forget the attic in poetic musings; he remembers whatever the attic has of poetry; he realises how high, how starry, how cool, how unadorned and simple—in short, how Attic is the attic. True contentment is a thing as active as agriculture. It is the power of getting out of any situation all that there is in it. It is arduous and it is rare.

Though all he saw of a railway strike was a flat meadow in Essex in which a train was becalmed for an hour or two, he will probably throw more light on the strike by describing this which he has seen than by describing the steely kings of commerce and the bloody leaders of the mob whom he has never seen—nor any one else either.

They are not critics; least of all creative critics. They do not attempt to translate beauty into language; they merely tell you that it is untranslatable—that is, unutterable, indefinable, indescribable, impalpable, ineffable, and all the rest of it. The cloud is their banner; they cry to chaos and old night. They circulate a piece of paper on which Mr.

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