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Updated: June 10, 2025
Then Heywood's book of music slapped the floor like a pistol-shot. "You left him!" He bounced from his chair, raging. "You Pêng! Where's my cap?" Quick as he was, the dark-eyed girl stood blocking his way. "Not you, Mr. Heywood," she said quietly. "I must go stay with him." They confronted each other, man and woman, as if for a combat of will.
Heywood's life, of which we know little in detail, covers the whole period of the Elizabethan drama. To the glory of that drama he contributed, according to his own statement, the greater part, at least, of nearly two hundred and twenty plays.
Will ye please to mind your own affairs?" The writer of comedies lifted his brows, "Very well," he answered quietly; "but, lad, this much for thee," said he, turning to Nick, "if ever thou dost need a friend, Tom Heywood's one will never speak thee false." "Sir!" cried Carew, clapping his hand upon his poniard Heywood looked up steadily. "How? Wilt thou quarrel with me, Carew?
I have been particular in my description of him, in order that my reader may give due weight to his words. I am such a believer in words, that I believe everything depends on who says them. Uncle Cornelius Heywood's story told word for word by Uncle Timothy Warren, would not have been the same story at all.
Heywood's solemn protest, as an American citizen on behalf of himself and the other members of the perfunctory Republican Committee of his County against the wholesale disfranchisement of the Mormons, on the ground that it would only delay a progressive American settlement of the territory!
Do you know," his voice rose and quickened, "do you know, the other end of town is in an uproar? We murder children, it appears, for medicine!" Rudolph started, turned, but now sat quiet under Heywood's grasp. Chantel, in the lamplight, watched the punkahs with a hateful smile. "The Gascons are not all dead," he murmured. "They plunge us all into a turmoil, for the sake of a woman."
Thus on the margin of a page of one of the old Chester plays we read, "The boye and pigge when the kinges are gone." Certainly this was no part of the original scene between Herod and the three kings. So also the quarrel between Noah and his wife is probably a late addition to an old play. Heywood's Interludes were written between 1520 and 1540.
The queen gave a slight start, and raised her head. She saw Lady Jane's tender smile, and her yet searching looks. Because she felt conscious of guilt, at least of guilty thoughts, she was on her guard, and remembered John Heywood's warning. "She is observing me," she said to herself; "she seems affectionate; so she is brooding over some wicked plot."
Above, on the crest of the field, where a band of men had begun to scramble at the sentinel's halloo, there sat on a white pony the bright-robed figure of the tall fanatic, Fang the Sword-Pen. "He did it!" Heywood's hands opened and shut rapidly, like things out of control. "Oh, Wutz, how did they Saint Somebody the martyrdom Poussin's picture in the Vatican. I can't stand this, you chaps!"
As he spoke, Gawtrey shook the young man's hand with cordial vigour, and strode off to his chaise, muttering, "Money well laid out fee money; I shall have him, and, Gad, I like him, poor devil!" "He is a cunning coachman that can turn well in a narrow room." Old Play: from Lamb's Specimens. "Here are two pilgrims, And neither knows one footstep of the way." HEYWOOD's Duchess of Suffolk, Ibid.
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