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I had not once been to see him at Paris; yet I had never received from him any other than the most obliging condescensions relative to the censorship, and I knew that he had more than once very severely reprimanded persons who had written against me. I had new proofs of his goodness upon the subject of the edition of Eloisa.
She had heard of my Eloisa, and knew it was in the press; she expressed a desire to see the work; I offered to read it to her, and she accepted my offer. I went to her every morning at ten o'clock; M. de Luxembourg was present, and the door was shut.
One of the soldiers is evidently the cher ami of our pretty Eloisa, who waved her little hand to him as she sent a coquettish glance from her fine eyes in his direction, and threw him a kiss, after which she applied herself to her task as cicerone, conducting us from room to room, enlarging upon the history and associations of the château, and explaining to us that of the original castle, built by Foulques Nerra, or "Fulk the Black," in 990, only the ruinous donjon keep is to be seen beyond the gardens.
I tell Eloisa that she should set her cap at him, but she does not at all seem to relish the proposal. I should like to see the girl married and Cleveland has a very good estate.
Satisfied with having made a rough sketch of my plan, I returned to the situations in detail, which I had marked out; and from the arrangement I gave them resulted the first two parts of the Eloisa, which I finished during the winter with inexpressible pleasure, procuring gilt-paper to receive a fair copy of them, azure and silver powder to dry the writing, and blue narrow ribbon to tack my sheets together; in a word, I thought nothing sufficiently elegant and delicate for my two charming girls, of whom, like another Pygmalion, I became madly enamoured.
Although Eloisa, which for a long time had been in the press, did not yet, at the end of the year, 1760, appear, the work already began to make a great noise. Madam de Luxembourg had spoken of it at court, and Madam de Houdetot at Paris. The latter had obtained from me permission for Saint Lambert to read the manuscript to the King of Poland, who had been delighted with it.
The critick pursues Eloisa through all the changes of passion, produces the passages of her letters, to which any allusion is made, and intersperses many agreeable particulars and incidental relations. There is not much profundity of criticism, because the beauties are sentiments of nature, which the learned and the ignorant feel alike.
The New Eloisa afterwards appeared with the same facility, I dare add; with the same applause: and, what seems incredible, the profession of faith of this Eloisa at the point of death is exactly similar to that of the Savoyard vicar. Every strong idea in the Social Contract had been before published in the discourse on Inequality; and every bold opinion in Emilius previously found in Eloisa.
Elsewhere he complains that these two dilettanti were so occupied with their own productions that they were disposed to belittle the genius of their brilliant secretary, which, after all, was not unnatural, as the "New Eloisa" and his other famous works had not then been given to the world.
Fitzgerald who is certainly one of the most pleasing young Men, I ever beheld. It is not yet determined when we are to go, but when ever we do we shall certainly take our little Louisa with us. Adeiu my dear Charlotte; Matilda unites in best wishes to you, and Eloisa, with yours ever M. L. LETTER the SIXTH LADY LESLEY to Miss CHARLOTTE LUTTERELL Lesley-Castle March 20th
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