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Updated: July 8, 2025


The question of witnesses embarrassed them for a moment. As she was absolutely unacquainted with anybody, he selected Sandoz and Mahoudeau to act for her. For a moment he had thought of replacing the latter by Dubuche, but he never saw the architect now, and he feared to compromise him. He, Claude, would be content with Jory and Gagniere.

'You wretched bourgeois philistine! exclaimed Claude, exasperated. 'They are making a famous idiot of you at the School of Arts. You weren't such a fool formerly. These were the current amenities of his two friends since Dubuche had attended the School of Arts.

And Claude regretted nobody save Dubuche, to whom he still felt attached, from a feeling of affection for the old reminiscences of boyhood, notwithstanding the disagreements which difference of disposition had provoked later on. But Dubuche, it appeared, was not very happy either. Of all the old friends, therefore, there only remained Sandoz, who still found his way to the Rue Tourlaque.

Hadn't all Paris and all the painters and tourists of the world seen them? And besides, if people had never seen anything like it, they would see it now. After all, they didn't care a fig for the public! Not in the least disconcerted by these violent replies, Dubuche repeated quietly: 'The public won't understand the public will think it indecorous and so it is!

Zoe Piedefer, 7 Rue Campagne-Premiere, a big brunette, who was getting rather too stout, had scrawled her sign manual right across the names of little Flore Beauchamp, 32 Rue de Laval, and Judith Vaquez, 69 Rue du Rocher, a Jewess, both of whom were too thin. 'I say, have you got the address? resumed Dubuche. Then Claude flew into a passion. 'Don't pester me! I don't know and don't care.

The sculptor shrugged his shoulders amidst the general laughter. But Claude did not hear. He was now discussing architecture with Dubuche. No doubt, that plan of a museum gallery which he exhibited wasn't bad; only there was nothing new in it. It was all so much patient marquetry of the school formulas. Ought not all the arts to advance in one line of battle?

He was troubled by a feeling of delicacy; the idea that somebody might stare at the girl, approach them, and perhaps begin to joke, gave him intolerable worry. And that very evening, as she was close beside him on his arm, and they were approaching the Pont des Arts, he fell upon Sandoz and Dubuche, who were coming down the steps of the bridge.

Thoroughly worn out, he broke it with trembling fingers, and scarcely chewed it, again standing before his picture, pursued by his passion to such a degree as to be unconscious even that he was eating. 'Five o'clock, said Sandoz, as he stretched himself, with his arms upraised. 'Let's go and have dinner. Ah! here comes Dubuche, just in time. There was a knock at the door, and Dubuche came in.

He was gloomy, and, glancing at the fifteen or twenty strangers who followed, he murmured: 'Ah! poor chap! What! are there only we two? Dubuche was at Cannes with his children. Jory and Fagerolles kept away, the former hating the deceased and the latter being too busy. Mahoudeau alone caught the party up at the rise of the Rue Lepic, and he explained that Gagniere must have missed the train.

And when, an hour later, the others made up their minds to go off, wearied by the dull egotism of Dubuche, who had not left off talking about his own affairs; when they had dragged Gagniere, in a trance, away from the piano, Sandoz, followed by his wife, absolutely insisted, despite the coldness of the night, on accompanying them all to the gate at the end of the garden.

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