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It was by that comparison that Crebillon explained to me a thing almost inexplicable, for taste and feeling alone can account for a thing which is subject to no rule whatever. We spoke a great deal of Louis XIV., whom Crebillon had known well for fifteen years, and he related several very curious anecdotes which were generally unknown.

Frequent the theatre whenever Corneille, Racine, and Moliere's pieces are played. They are according to nature and to truth. If you choose to know the characters of people now in fashion, read Crebillon the younger, and Marivaux's works. The former is a most excellent painter; the latter has studied, and knows the human heart, perhaps too well.

What philosopher was ever hurt by reading the novels of Crebillon, or seeing the comedies of Moliere? "I deny," said M. D'A , "that this is so easy a task you cannot make all men wise." "No," replied Vincent; "but you can all children, at least to a certain extent.

I do not deny, in fact, that the same reasons which make me hold to be quite inexcusable the dangerous pictures drawn by the Roman Ovid and the German Ovid, those of Crebillon, of Voltaire, of Marmontel, who pretends to write moral tales! of Lacroix, and of many others that these same reasons, I say, reconcile me with the elegies of the Roman Propertius and of the German Propertius, and even with some of the decried productions of Diderot.

From that moment she will not in appearance fail in any of her duties, and will put on the colors of that virtue in which she is most lacking. Said Crebillon: "Alas! Is it right to be heir of the man who we slay?" Never has she seemed more anxious to please you.

The same old woman, poring over the same novel of Crebillon, made me the same reply as before; and accordingly again I ascended the obscure and rugged stairs, which seemed to indicate, that the road to vice is not so easy as one generally supposes. I knocked at the door, and receiving no answering acknowledgment, opened it at once. "Ah, Mr.

That uncouth blunder soon got known throughout Paris, and gave me a sort of reputation which I lost little by little, but only when I understood the double meanings of words better. Crebillon was much amused with my blunder, and he told me that I ought to have said after instead of behind. Ah! why have not all languages the same genius!

"And Crebillon," said he. "And la Chaussee, and the younger Crebillon," said some one. "He ought to be more agreeable than his father." "And there are also the Abbes Prevot and d'Olivet." Madame de Pompadour repeated to me this conversation, which I wrote down the same evening. M. de Marigny, also, talked to me about it.

The mausolea of LE BRUN, LULLI, and JEROME BIGNON, the honour, the love, and the example of his age, terminate the series of monuments of that epoch, still more remarkable for its literati than its artists. We at last come to the Here we admire the statues of MONTESQUIEU, FONTENELLE, VOLTAIRE, ROUSSEAU, HELVETIUS, CREBILLON, PIRON, &c. &c.

To a generation whose literature is as pure as the best English, American, and German literature is in the present day, the New Heloïsa might without doubt be corrupting. To the people who read Crébillon and the Pucelle, it was without doubt elevating. The case is just as strong if we turn from books to manners.