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Updated: May 22, 2025
If he puts his autograph into the film, it is after a fierce struggle with the uncanny scientific quality of the camera's work. His genius and that of the whole company of actors is exhausted in the task. The raw phonograph is likewise unmagnetic.
Except for the artistic harmony of things within the narrow lines of the camera's view, nothing in this great armory-like place had any apparent relation to anything else. Some of the sets were lighted, with actors and technical crews at work. Others were dark, standing ready for use. Still others were in varying states of construction or demolition.
Then from behind her Means darted forward on the run, swinging his rope free round and round his head. Kearton began shouting. "Wait the camera's jammed! Wait a bit she's jammed here!" But there was no stopping then, and before the lioness knew what he was up to, Means dashed by within a few feet of her and roped her round the neck.
But the noise grew greater while Linda Beach tried gamely to cover it up. It was not easy. In fact, it was impossible. One of the Toppers found himself cornered by two stagehands and dashed triumphantly across that sacrosanct space, the area in a camera's field of vision. He raced behind Linda Beach, then smiling pleasantly and talking at the top of her voice to cover the noise behind her.
In the afternoon when the engagement had ended it was found that another shell had torn off one of the legs of the camera's tripod and that forty-three of the men who were in the group in the morning had been killed or wounded. Before the same battle, General Schalk Burger asked Mr.
No Moor was ever anything but self-composed. Upon our camera's coming out, he was much interested; and to prove his progressive and enlightened state of mind, let us photograph him just as he lay there a vast, voluminous white chrysalis. Then he took us to see his wives and slaves a large party of them.
All that day I revelled in Caribou, no enormous herds but always a few in sight. The next day Weeso and I went to the top ridge eastward. He with rifle, I with camera. He has a vague idea of the camera's use, but told Billy privately that "the rifle was much better for Caribou." He could not understand why I should restrain him from blazing away as long as the ammunition held out.
You sat for the photographs, and you are not to blame for any possible mistake the camera may have made; so don't let it bother you." She gave a little gleeful chuckle. "It is the camera's fault, is n't it? I never thought of that. Well, if you think it's all right to give them away, it must be; but it did n't seem quite hones, you know." She looked up still a bit anxious.
Now I knew somehow that she was just all girl, probably in her early twenties. The brief instant of shyness had betrayed her. In the scene she changed. Marilyn Loring was an actress. The moment she caught the click of the camera's turn there was a hardness about her mouth, a faint dishonest touch to the play of her eye, a shameless boldness to her movements concealed without concealment.
Now, frightened, bewildered, resentful. Thirty-seven. Why, thirty-seven was old in Hollywood. Not middle-aged, or getting on, or well preserved, but old. Even Lydia Lissome, at twenty, always made them put one thickness of chiffon over the camera's lens before she would let them take the close-ups.
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