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Updated: May 16, 2025
The Florentines, Raphael and Michael Angelo, were already there doing marvellous things, but the pope wished to add the genius of Titian to theirs and made him a great offer to go and live in Rome and do his future work for that city. This was an honour, but amid all his fame and the homage paid him, Titian had remembered the old home in the vale of Cadore.
We may perhaps, without being fanciful, find a parallel to these poets in the great Venetian painters of the sixteenth century, in whose work we see the landscape of Venetia and the Cadore compelling more and more our attention, as not a mere background, but as an integral part of the picture; but it was not till the seventeenth century and the Flemish and Dutch painters that we see the transition complete, and the artist sets before us not some scene in human life, but simply the beauty and splendour of 'nature' herself.
Afterward, at the request of the Duc de Cadore, they were reduced to writing, of which memoir one copy was delivered to the Duc de Cadore and another to the Duc de Rovigo, to be submitted to your majesty's perusal.
I have threaded beautiful and rugged Carnia nearly as far west as Monte Croce, have ascended the valley of the But to Mount Timau, where the Austrians, as elsewhere, are in close touch, and, passing on to wonderful Cadore, have visited the haunts of the Alpini above the sources of the Tagliamento and Piave.
Instead of 6000 French troops which I was to maintain, according to the terms of the treaty, that number has been more than doubled; instead of occupying only the mouths of the rivers and the coasts, the French custom-horses have encroached into the interior of the country; instead of the interference of France being confined to the measures connected with the blockade of England, Dutch magazines have been seized and Dutch subjects arbitrarily imprisoned; finally, none of the verbal promises have been kept which were made in the Emperor's name by the Due de Cadore to grant indemnities for the countries ceded by the said treaty and to mitigate its execution, if the King would refer entirely to the Emperor, etc.
But the greater part of our misapprehension in the whole matter is from our not having well known who the great painters were, and taking delight in the petty skill that was bred in the fumes of the taverns of the North, instead of theirs who breathed empyreal air, sons of the morning, under the woods of Assisi and the crags of Cadore.
Unexpected receipts in the Post-office Department Arrival of Napoleon's Commissioners at M. de Talleyrand's Conference of the Marshals with Alexander Alarming news from Essonne Marmont's courage The white cockade and the tri-coloured cockade A successful stratagem Three Governments in France The Duc de Cadore sent by Maria Louisa to the Emperor of Austria Maria Louisa's proclamation to the French people Interview between the Emperor of Austria and the Duc de Cadore The Emperor's protestation of friendship for Napoleon M. Metternich and M. Stadion Maria Louisa's departure for Orleans Blucher's visit to me Audience of the King of Prussia His Majesty's reception of Berthier, Clarke, and myself Bernadotte in Paris Cross of the Polar Star presented to me by Bernadotte.
"The last direct descendant of 'Il Tiziano' died not long ago a few years before I was born; and the collateral Vecelli are citizens of Cadore to this day. If the Signora will be pleased to look for it, she will see the name of Vecellio over a shop on the right-hand side, as she returns to the Piazza." I did look for it; and there, sure enough, over a small shop-window I found it.
On the death of Giorgione, Titian rose rapidly into favor. He was soon afterwards invited to the court of Alphonso, Duke of Ferrara, for whom he painted his celebrated picture of Bacchus and Ariadne, and two other fabulous subjects, which still retain somewhat of the style of Giorgione. It was there that he became acquainted with Ariosto, whose portrait he painted, and in return the poet spread abroad his fame in the Orlando Furioso. In 1523, the Senate of Venice employed him to decorate the Hall of the Council Chamber, where he represented the famous Battle of Cadore, between the Venetians and the Imperialists a grand performance, that greatly increased his reputation. This work was afterwards destroyed by fire, but the composition has been preserved by the burin of Fontana. His next performance was his celebrated picture of St. Pietro Martire, in the church of SS. Giovanni e Paolo, at Venice, which is generally regarded as his master-piece in historical painting. This picture was carried to Paris by the French, and subsequently restored by the Allies. Notwithstanding the importance of these and other commissions, and the great reputation he had acquired, it is said, though with little probability of truth, that he received such a small remuneration for his works, that he was in actual indigence in 1530, when the praises bestowed upon him in the writings of his friend Pietro Aretino, recommended him to the notice of the Emperor Charles V., who had come to Bologna to be crowned by Pope Clement VII. Titian was invited thither, and painted the portrait of that monarch, and his principal attendants, for which he was liberally rewarded. About this time, he was invited to the court of the Duke of Mantua, whose portrait he painted, and decorated a saloon in the palace with a series of the Twelve Cæsars, beneath which Giulio Romano afterwards painted a subject from the history of each. In 1543, Paul III. visited Ferrara, where Titian was then engaged, sat for his portrait and invited him to Rome, but previous engagements with the Duke of Urbino, obliged him to decline or defer the invitation. Having completed his undertakings for that prince, he went to Rome at the invitation of the Cardinal Farnese in 1548, where he was received with marks of great distinction. He was accommodated with apartments in the palace of the Belvidere, and painted the Pope, Paul III., a second time, whom he represented seated between the Cardinal Farnese and Prince Ottavio. He also painted his famous picture of Danaë, which caused Michael Angelo to lament that Titian had not studied the antique as accurately as he had nature, in which case his works would have been inimitable, by uniting the perfection of coloring with correctness of design. It is said that the Pope was so captivated with his works that he endeavored to retain him at Rome, and offered him as an inducement the lucrative office of the Leaden Seal, then vacant by the death of Fr
Francis II. had not seen his daughter since the day when she left Vienna to unite her destiny with that of the master of half of Europe, and I have already stated how he received the mission with which Maria Louisa entrusted the Duc de Cadore.
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